An Analysis Of The Composing Techniques Of Drittes Labyrinth By J(?)rg Widmann

Widmann's music spins an intricate web of characteristic gestures,half-remembered quotations,respectful nods to the past,and sly references,ranging from Bach to his own contemporaries.It's all woven tightly into the fabric of a complex,adventurous sound world in which standard instrumental techniques are only the starting point,where melodies are acutely angular one minute and blurred and dreamlike or generously lyrical the next.There little anxiety about the encroachment of musics venerable history here In his own words masterworks every day.I love them! So I write pieces about my love.Based on the analysis of the third labyrinth(for soprano and orchestra)by J?rg Widmann,this paper summarizes the techniques of composer's writing in terms of pitch,rhythm and timbre.And the author will draw conclusions for the special treatment of the overtones,multi-level structure and other personality creation methods.With the help of music acoustics and other theories,the author makes a translation and interpretation of the space concept of the composer in this work and the special sound phenomenon.In addition,the author will make a comprehensive and in-depth discussion on the sound,structural design,unconventional orchestral preparation of the special handling techniques and so on.