Analysis Of The Musical Vocabulary And Playing Version Of Scriabin's Second Piano Sonata "Fantasy"

Alexander nikolaevich scriabin was a celebrated Russian composer and pianist in the early 20th century.His career spanned two centuries.He inherited the traditional composing techniques and styles of the romantic period,and opened up a new creative path,forming a distinctive personal musical style.When scriabin was 25 years old,he wrote the second piano sonata "fantasy"(op.19).His creation was inspired by the sea.Both movements described the visual impact and spiritual touch brought by the sea to the composer.This work is a typical work in the composer's early style.Although it does not have the weird and mysterious detachment and mystery of mysticism in his late creation,his exploration and innovation in the mode of tonality in this work has predicted the evolution of his later style and witnessed the composer's move towards a new field of music creation.In addition,influenced by the nationalist music of the 20th century,this work also reflects the elements of Russian nationalist music.This article through to the second piano sonata "fantasy",music ontology,playing techniques and play version of the analysis and comparison,in order to more accurately grasp the composer's creation intention and music emotion of the works,to obtain a deeper theoretical knowledge,and then to complete the work of the second creation,and from the perspective of the work of analysis grasp scriabin early integral style characteristics of the piano music works.The author will discuss the comparison between the musical vocabulary and the playing version of the second piano sonata "fantasy" from four aspects:1.2.From the aspects of strength level,stress distribution,tonal color,texture change,complex rhythm,pedal,etc.3.A comparative study on the playing version of the first movement of the second piano sonata"fantasy" by three world-renowned pianists is conducted from the aspects of the duration of the speed,the audio spectrum of the intensity and the auditory effect of the timbance.4.Based on the research of the second piano sonata "fantasy" in many aspects,this paper is able to master the style characteristics of the composer's early piano sonata and explore the practical application of these works in piano teaching.