A Study On The View Of "Emotional Integrity" In Meng Chengshun's Drama

The literary creation concept of " Emotional Integrity " comes from the Confucian "rational" argument,which is a point of view that is separately analyzed from the "rational view" formed by the development of "rational" relationship to the Ming Dynasty.Meng Chengshun said that the "feelings" of the "positive" point of view,first put forward by Wang Siren,but Wang Siren in the discussion of this point of view,mainly in the "feelings" in the scope of saying "positive",did not take "positive" as an independent aspect of the detailed discussion.Meng said that on the basis of Wang Siren's theory,the "positive" mentioned with the "feelings" of the opposite side to separately,and give " Emotional Integrity " to the three aspects of the connotation: first,to meet the "true" characteristics,that is,to do "laugh and cry ";Second,"feeling right" to firm feelings to " factors",that is,to "believe in its nature,from its feelings";Third,"Emotional Integrity " to advise the world "from the end,death is the same",to achieve "feelings of chastity." Although the concept of "feeling right" is the author's point of view in the later creation,but this creative idea actually runs through its creative activities all the time.As the development and continuation of the "rational view" of the Ming Dynasty,the "rational" part of the literary creation should be followed more precisely and accurately expressed was a very innovative theoretical opinion at that time.This paper is divided into four parts to explain Meng Chengshun said " Emotional Integrity " view.The first part combed the Confucian "rational" argument,"rational" as a pair of relative concepts in literary creation,ancient,initially appeared in the field of poetry appreciation,after a variety of styles widely used and discussed,Meng said that in Li Zhi,Tang Xianzu,Feng Menglong "words" in the view of a separate "feelings" said,is very creative.The second part focuses on the content of "emotional truth" in Meng's drama-true ness,truth and chastity,and analyzes the view of "feeling right" contained in Meng'sworks and their reviews according to the meaning of these three aspects.The third part summarizes the author's "feeling right" view of the reasons for the formation,first of all,the social situation at that time made him have the ambition to not serve the country,and then expressed the unevenness in the article,to desire "orthodox";The fourth part is the significance and value of Meng's "feeling right" view,and the proposal of the "emotional" view makes Meng's creation recognized and accepted by the people,and Meng's work is therefore "both placed on the desk and on the stage",which can be preserved and circulated;Li Yu?Hong Sheng and Dai Zhen in Meng said on the basis of the "feelings of truth" view of the condensed to have a normative meaning,Hu Shi and Yu Qiuyu "reasonable view" in the demand to grasp the power of moderation,the view of restraint to limit human desire is also consistent with the connotation of Meng said "feelings right" view is consistent.In summary,Meng said that the "feelings of the right" view is not limited to the Ming and Qing Dynasties,nor is it limited to the field of opera,has made great contributions to the development of Chinese literature,for the literary creation to refine the model,its value is indelible.