A Study On The Art Of Flute Music In Xinjiang Uygur Autonomous Region Under Music Aesthetics

Uighur flute music art style has an important role in Uighur music life,both in the folk people under a grape in his spare time,or on the stage of luster gorgeous,can hear beautiful d let us play the flute.Today,the uighurs to "flute" the love of this instrument is so thick that it is not by chance of selection and the be fond of,the answer to the meanings in the history records and unearthed cultural relics and grottoes murals in recorded history to find out in the intravenous drip.It is an indispensable part of Chinese flute music art research and has important practical significance and research value.At present,although the academic circle has made some relevant generalizations about the uygur flute art,it has not carried out in-depth research on the subject of performing art theory and aesthetics.To this end,the author will take music aesthetic theory as the support and combine its own playing experience to carry out the research on the topic.This article will be divided into several parts:Part ?: introduction.This section discusses the basis and reason of topic selection,and the bamboo flute performance of existing art,combined with bamboo flute playing and music aesthetics about uighurs style of play,summarized the related literature material,sorting,and based on this,expounds the significance of this paper,method and train of thought.Part two: the "beauty" of the uyghur style flute music playing art.Main carding ancient flute music history development in xinjiang,and further induces flute music art characteristics of every period,finally will reveal the cause of the Uighur people today what will choose the flute and the state of the distribution and use.The third part: the elements of "construction beauty" played by the uygur flute style.This paper mainly summarizes the related techniques used in the performance of the uygur style flute music,and carries out the construction of "development" and "symbolization" for some techniques required in the performance of uygur style.The fourth part: the "beauty" played by the uygur style flute.This paper mainly sums up the development rules and characteristics of the artistic beauty of flute music in the uygur autonomous region,and explores the mastery and expression of "rhyme" in the play with the theory of "moistening the cavity".The fifth part: : conclusion.