The Application Of Narrative Strategy Of Chinese Contemporary Intangible Cultural Heritage Documentary In The "Shou Yi"

This paper takes the narrative strategy of Chinese Intangible Cultural Heritage documentary as the object of discussion.On the basis of combing the development of Chinese Intangible Cultural Heritage documentary completely and combining the author’s creative experience of graduation design "SHOUYI",it analyzes and discusses from three aspects of narrative perspective,narrative structure and narrator,aiming at refining and summarizing the narrative characteristics of different periods of intangible cultural heritage documentary,and analyzing the narrative characteristics of different periods of intangible cultural heritage documentary The advantages and disadvantages of different narrative strategies provide reference and experience for the creators of the current intangible cultural heritage documentary.From the structure point of view,there are five chapters in this paper.The first chapter is the introduction.This chapter introduces the research background and arranges the relevant literature.Then it introduces my graduation project "SHOUYI" from three aspects: the origin of the topic,the development status of the relevant works and the significance of the topic selection.Then it lists the research methods of this topic.In the second chapter,I focus on the definition of intangible cultural heritage documentary and sort out the changes of its narrative concept in the changes of the times.In the third chapter,from the narrative perspective of intangible cultural documentary,through the refining and analysis of the two characteristics of the spiritual core of people-oriented and inclusive and implicit expression methods of intangible cultural documentary,the author discusses the different characteristics of intangible cultural documentary under different narrative perspectives.The fourth chapter focuses on the narrative structure of intangible cultural heritage documentary,focusing on analyzing the influence of narrative structure on the construction of time and space and the change of rhythm in intangible cultural heritage documentary.The fifth chapter focuses on the narrator of intangible cultural heritage documentary,and summarizes the three functions of narrator combined with specific cases.In the final conclusion,I summarized the deficiencies and insights of the process of graduation project shooting and graduation thesis writing,and made a prospect for the future development of intangible cultural heritage documentary.