On The Spatial Connotation Of Li Juan's Prose Creation

Li Juan,a member of the Xinjiang nonfiction writers' group and the winner of the seventh Lu Xun Literature Prize,has maintained her output while maintaining the original intention when she first came into contact with writing,that is,trying to document the vanishing nomadic lifestyle of "self-discipline and humility".The heterogeneous natural space and living space in Li Juan's works have impacted the contemporary literary world to some extent.Compared with other Xinjiang writers,Li Juan's identity has more possibilities for interpretation.The tension between li Juan's internal space and external space is also imperceptibly nurturing her writing style.This paper takes the dialectical relationship of natural space,living space and internal and external space created by Li Juan as the focus of this paper,and interprets the dimensions of living space,natural space and inner space in Li Juan's prose respectively with the help of relevant space theories,so as to explore the deeper spatial aesthetic implication in her prose works.The outward extension of living space is not only a natural space with natural properties,but also a poetic landscape.The dwelling place under Li Juan's pen is not only the conscious space of social attributes,but also represents a phenomenological dimension of dreams and happiness.And works with the spirit of the open space,li Juan in the heterogeneous space full of tension generated under the mutual fusion of multiple world,can use the assorted thought of inside and outside space,big and small of dialectics,and sawyer's third space theory,namely the spiritual space and living space of the third space,as explore ways of prose in li Juan happy space image.The full text is divided into four parts,the first part,introduction.This paper mainly introduces li Juan's literary creation and space image in her works,and makes a master plan for the following three chapters.At the same time,it also sorts out the existing research results of Li Juan's works,summarizes the theoretical propositions of spatial poetics in different periods,and discusses the significance of the existing literature to the aesthetic research of spatial poetics in Li Juan's prose.The second part,this paper selected the prose in the wilderness,pasture,such as image,li Juan to be classified as living space extension-natural space under this category,in heidegger's "the truth of art space" mentioned in the earth,built in,such as home concept as the backing,to dig up the space of rich poetic flavor and aesthetic value.The third part starts from two kinds of images,one is "house" and the other is "transition".It is complementary to the previous chapter in terms of internal and external logical structure.This chapter USES the happy space of house as the medium to explain the possibility of the existence of "house" through Gaston Bashara's phenomenological perspective.Bashara thinks that the house is the space of happiness,the refuge of dreams,and also the place where happiness is generated directly,which also provides a new way of thinking for deconstructing the living space such as the diao zi and the transition field in Li Juan's prose.The fourth part,this chapter from another space characteristics,supplemented by sawyer's third space theory and Benjamin's urban space theory as theoretical support,analysis of li Juan of inter-generational contradiction between inner world and survival environment,to explore the possibility of its internal space and external space fusion,as well as the enlightenment function of the internal space to outside space.We are all looking forward to the further study and discussion of Li Juan's prose.