A Probe Into The Performance Of Negative Image Photography In Chinese Contemporary Art Photography Creation

Photography has gone through 181 years of development,from the first photography to imitate painting,to the establishment of ontological language of photography,and then let the arts have free expression,photography is widely used in various fields of society.In recent years,the development of digital photography technology has once again achieved an unprecedented breakthrough.Contemporary photography technology has reached a quite complete level,making it possible to get rid of the original recording function and technical limitations,break through the original category of artistic photography,and become the artists' emotional expression Important media.Digital technology has greatly expanded the expressive power and scope of photography and expanded the imagination.As a medium,photography has become the carrier of people's thoughts and imagination.Artists pay more attention to their inner expression and thinking about society when creating,and their creative methods also show a more diversified development trend,which is an opportunity given by the times.Contemporary art photography has a great experimental component.Each presentation of the image is an exploration of contemporary art photography.Negative image is one of the choices.Negative image was originally a not uncommon technique in photography,but under the conscious control and utilization,the "reversal" of the image is not limited to the technical level.If we do not treat this hallucinatory negative image as an illusion,we will see a positive image instead of a negative image.Then,this "reversed" image will become a more interesting result,and the existence of a new image is also a larger illusion.Gombrich said in his book,"Art and Illusion" that,"All artistic discoveries are not discovery of similarity,but the discovery of equivalence.This equivalence enables us to see a reality according to an image,and to see an image according to reality."This paper aims at the negative image phenomenon in the domestic image creation in recent years,carries out data collection,systematic research and combing,and includes certain case studies.The first chapter is the preface,which discusses the significance and present situation of this subject;The Second Chapter talks about the understanding of the term "contemporary",combs the development of Chinese contemporary art photography practice and its diversified performance,and analyzes thebackground of the development of contemporary negative image;The Third Chapter Focuses on the appearance and development of "negative images" in the history of photography,reviewing the history of photography,and providing prerequisites for the creation of negative photography images today.The fourth chapter selects Chinese contemporary artists who create "negative image" photographic images with individual artistic characteristics to analyze their works,and discusses the expression of negative image photographic images in the creation of Chinese contemporary artistic photography.The Fifth Chapter considers the significance of negative image photography creation and its inspiration to the development of contemporary art photography creation in China.As one of the expression forms of contemporary artistic photography creation,negative photographic image enriches the creation method of contemporary artistic photography with its own characteristics,expands the ontology language of photography,and provides new ideas for the visual presentation of images.On the other hand,the independent exploration and development of the personality of photography language also prospered and enriched the diversification of the contemporary Chinese art photography pattern.In addition,the reason for the rise and development of negative images in China is partly because they are nourished on the basis of traditional Chinese ink painting art and the essence of Chinese culture,which is a possible exploration of the return of excellent traditional Chinese culture.