The Study Of Ling Tingkan's Thoughts On Ci

This article is based on Ling Tingkan's collection of Ci Music of Playing the Flute near Plum Trees.First of all,the author combed Ling Tingkan's theory of words scattered in prefaces,words,letters,and verses,and analyzed Ling Tingkan's life and academic achievements,the actual creation of Ci,and explored Ling Tingkan's thoughts on Ci.Secondly,through the analysis of his thoughts on Ci,this paper explores the deep origin of ling Tingkan's thoughts on Ci.Furthermore,the study of ling tingkan,as a writer of Ci in the qianjia period,is helpful to show the achievements of scholars as poets in the qianjia period from point to point.According to the research ideas of this paper,it is divided into six parts,and the author will carry out the research from the following six aspects.The introduction mainly sorts out and summarizes the existing research achievements and shortcomings of Ling Tingkan's Ci studies,and discusses the feasibility and necessity of the research on Ling Tingkan's Ci studies.At the same time,the research methods and innovations in the paper are briefly summarized.Chaper 1,It mainly analyzed Ling Tingkan's life experience from three aspects:home life,the drift-themed life and teaching career.From the perspective of“Understand human beings and reflect on society”,the discussion of the author's life experience is conducive to a better understanding of his works and thoughts.In addition,as a scholar,a brief description of his academic achievements except Ci is also one of the dimensions from which we find the origin of Ling Tingkan's thoughts on Ci.Chaper 2,It mainly analyzes Ling Tingkan's word collection of Ci Music of Playing the Flute near Plum Trees.based on the analysis of Ling Tingkan's life experience in the frist Chapter,corresponding to each stage of Ling Tingkan's words.On this basis,the author explores the content of Ling Tingkan's Ci works in different stages and the reaction of his thoughts in different periods in his Ci works.Chaper 3,The author explores Ling Tingkan's thought of Ci by analyzing Ling Tingkan's actual Ci works and the Ci theories involved in the scattered materials such as prefaces,postscript,words,letters,and verses.This chapter mainly discusses fromthree aspects.First,analyzing from the perspective of the Noumenon theory that the Ci is "Shiyu".Secondly,analyzing Ling Tingkan's view of lyrical function of Ci itself.Finally,explore its aesthetic trend of elegance.Chaper 4,It mainly explores the deep origin of the thought of Ci.Ling Tingkan was enlightened by the Ci Zong that is selected by the West Zhejiang School of Ci poetry,and the thought of Ci is bound to be influenced by that Ci school of thought.Therefore,the first section of this chapter analyzes the influence of the Zhexi school on thought of Ling Tingkan's Ci;Secondly,as the originator of the study of Yan Music in the Qing Dynasty,his research on the temperament must be reflected in his work of Ci and Influence on his thought of Ci.Furthermore,as a ritual master,the quality of self-abnegation and observance of rites and the thought of restoring ancient rites also have a great influence on his Ci study activities.so this section mainly analyzes the mapping of his ritual thoughts to his thoughts of Ci.Chaper 5,Taking Ling Tingkan's thought of Ci as a reference point,this paper explores the new changes in respecting the Ci by scholars in the Qing Dynasty.It mainly explores from three perspectives: ontology,creation theory and style theory.Conclusion,Combing through the content of Ling Tingkan's Ci works,the thought of Ci,deep origins of thought on Ci poetry explored in this article,and the academic intervention of the Qing Dynasty in Ci poetry,etc.In addition,analyzing the position of Ling Tingkan's Ci in the history of Ci studies in the Qing Dynasty.