| Because of the rapid development of the Internet and China government vigorously support for the cultural industry,more and more literary compositions have been adapted into audiovisual works through visual production.This way not only amplify the dissemination of literary composition,but also authors enable to obtain more economic interests from copyright royalty,licensing fees,etc.At the same time literary composition can cover the shortage of original screenplays in the film and television industry and the audiovisual work has a natural attention from the preparatory stage.According to the provisions of relevant laws of China,if the author of literary composition believes that the film or television producer has distort or falsify his works,he can get relief to his right according to the right of integrity.But film or television producer always use the adaptation right against the author claiming.Different interest parties have different standards;therefore,the two parties have ranged from cooperation to confrontation.This situation is not conducive to the film and television works which is a high-risk and high-input trade.Meanwhile,this situation may go against the development of China’s cultural industry.Based on the above reasons,this paper chooses to discuss the conflict between the right of integrity and the right of adaptation and hope to explore a way which could balance the conflict.At the first,this paper chooses the semantic analysis method to explain and define the concepts about this thesis.Then,elaborating the two major conflict mode,the main reasons for the conflict between the two rights and drawing a conclusion about adaptation is an inevitable part in film and television production.Next,through the comparison method and verify that the objective criteria are the best way to judge the adaptation right infringe the author’s right of integrity or not infringe.At last,I want to offer some suggestions to balance the conflict from theory and practice parts.I wish my work could make some contribution to the cultural industry. |