| The development of digital network technology,not only affects people's way of life,but also influences the development of literature and art,and the relationship between literature and image severs the complex characteristics.Under the catalysis of digital media,barrage text came into being.Among them,as the aesthetic subject,people are playing an important and dynamic role more and more.Based on the view of the "language-image" relationship,this paper discusses the generation paradigm of dynamic texts such as barrage text and the interaction between them and the receiving subject from the perspective of reception,so as to investigate the realistic significance and aesthetic characteristics of image reception in the text of barrage,which opens a new window for the study of the acceptance of the language and image relationship.There are five parts in this thesis:The first part is the introduction.Firstly,it introduces the cultural background of the production of barrage text,namely the current trend of "image turning" in literary studies and the historical development of the study of language-image relationship.Then,it distinguishes and defines the concept of bullet screen,bullet screen culture and barrage text,and points out the purpose and significance of the study on the reception of video works by the text of the barrage based on the research data of domestic and foreign scholars.In chapter one,we make a detailed study of the image reception paradigm in barrage text by referring to the reader's theory of reception aesthetics.Starting from the two perspectives of reality and concept,and combining the phenomena existing in bullet screen,the author investigates and summarizes the different accepting characteristics of ordinary audiences,professional audiences,potential audiences and audiences as images.In chapter two,we explore the accepted paradigm generation mechanism,in view of the previous chapters accept the paradigm do a deep analysis.From the perspective of art ontology,it analyzes the theoretical origin from the three aspects of subject,language and psychology.The first section,which uses the theory of in western literary theory to analyze the structure of "subject-subject" in acceptance and the phenomenon of text crowd funding on barrage texts.The second section points out the "form of life" and the "spirit of game" expressed by the bullet screen language in connection with wittgenstein's and gadamer's theory of language game.The third section starts with the "unconscious" theory of the psychoanalytic school to analyze the psychological influence of collective and social factors on the receiving subject's participation in the creation of barrage text.In chapter three,we took the text of the barrage as the window to observe the image reception in culture,which is manifested as the two major aesthetic characteristics:the synchronic discourse carnival and the identity construction under the participation of group style,through the aesthetic paradigm of "beauty of speed" presented by the relation between contemporary language and image.In detail,"Synchronic" is reflected in the text of barrage text as the acquisition and immediacy of the sense of presence."Discourse carnival" refers to the symbol carnival phenomenon which is based on the mass media to realize the freedom of expression.The other aesthetic feature is the feature of collective participation based on the barrage text,which relies on the construction of identity from individual to group identity formed by the emotional expectation of "ridicule" and "resonance".Finally,we make a brief summary of the full text.For one thing,we affirm the positive significance of image reception in the text of the barrage,For another thing,we propose the irrational and negative factors.Furthermore,it is of great significance to grasp the image reception in the text of barrage to study the reception of the "language-image" relationship,and it also provides a new research opportunity for the development of new media art form. |
