| The Jintan Paper Cutting is inherited by the theme of new ideas,brilliant colors and the engraving of the world.In 2007,it was listed as the first batch of Jiangsu provincial intangible cultural heritage;the following year was selected for the first batch of national intangible cultural heritage expansion project list.In 2009,Jintan Paper Cutting was officially listed as the United Nations List of Human Intangible Cultural Heritage.At present,the national representative inheritor of Jintan Paper Cutting is Mr.Yang Zhaoqun.The gold alchemy paper is named after the paper cutting process,which is different from the paper cutting.It originated from Jintan,Jiangsu Province,and is an art form in which local people express their own interests.It is integrated with the culture of farming and plays an important role in people's daily life.At the moment,Jintan Paper Cutting has gradually evolved into a work of art with a strong local character and local culture.Affected by industrial civilization,Jintan Paper Cutting gradually faded out in people's daily lives.How to make Jintan paper re-enter people's life under the new era back and aesthetic concept,and become an important topic in the work of inheriting and protecting Jintan Paper Cutting.From the perspective of non-legacy,this paper uses the field investigation method to study the Jintan Paper Cutting.The field investigation work mainly focused on the inheritor Mr.Yang Zhaoqun,and visited and inspected the inheritors,related institutions,exhibitions and activities.On the basis of a large number of field investigations,combined with relevant literatures,the development context,inheritance and protection status,function,value and art form of Jintan Paper Cutting are sorted out and analyzed.It aims to explore the cultural characteristics and aesthetic characteristics of Jintan Paper Cutting,and at the same time reveal the urgency and significance of the inheritance and protection of the current Jintan Paper Cutting. |
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