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A Study Of Wang Xizhi's Acceptance History In The Tang And Song Dynasties

Posted on:2019-08-11Degree:MasterType:Thesis
Country:ChinaCandidate:B R ZhaoFull Text:PDF
GTID:2435330545979972Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
Wang Xizhi is a model for future generations in traditional calligraphy,calligraphy heart Mu hand chase,in calligraphy theory discussion and Research on Wang Xizhi's behalf of many people.The ancient scholar,all the celebrities or from the technique level,or the analysis from the view of history,or to Saint of enlightenment,do their best to interpret their own understanding of the calligraphy of Wang Xizhi.Many previous studies of Wang Xizhi's opinion summary,combined with all the historical environment background comparison and reflection,in order to clear the meaning behind these achievements,so as to understand more deeply understand the true meaning of calligraphy history,the calligraphy of Wang Xizhi,is a matter of great value.The large-scale acceptance of Wang Xizhi began in the Tang Dynasty,and the Tang and Song Dynasty was the key node of the history of Chinese calligraphy.During this period,Fan Yu Xu Wei and Jin Dynasties did not come loose,also Chinese characters actually completed the evolution of all the body of the imperial examination system;the establishment of printing mature,Confucianism and Zen thought of literati class influence,political pattern changes and a variety of cultural mutual exchanges and other factors,are it is bound to be an extraordinary era,but also the history of calligraphy,many outstanding bright stars of the era.Taking the calligraphy criticism of Tang and Song dynasties as a foothold and taking the acceptance of Wang Xizhi as a theme,it becomes an interesting thing to do.This is the original intention of this study.This article will focus on important calligraphers calligraphy theory literature in Tang and Song Dynasties period,in the theory of calligraphy and other historical evidence,the Tang and Song History Research to Wang Xizhi.In view of the author's knowledge on shallow,master of literature and archaeological materials are very limited,so this paper does not involve the book of rubbings edition spread and folk tales of research,to carry out the work only on calligraphy criticism.The biased omissions,Wang Fang.
Keywords/Search Tags:the history of calligraphy, calligraphy criticism, calligraphy aesthetic, Wang Xizhi
PDF Full Text Request
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