Research On The Cross-Stylistic Features Of Wu Mingshi's Novels

There has never been a rule on how to write a novel since ancient times,which actually gives writers the space to express themselves.It is entirely possible for writers to take the space of imagination according to their own needs,and to break and merge the boundaries of various artistic forms.After all,fiction is not a closed narrative,it changes as the author and the reader live,and the way they think.Generation after generation of writers are clinging to the tension space between form and breakthrough,which is the place where the artistic charm of form lies.What's so valuable about Wu Mingshi is that he consciously breaks through the impasse and explores the infinite possibilities of fiction.In his Nameless Book,the plot moves forward with the protagonist Inti's life story,from his early absence from home to his eventual return to his family,the narrative does not break apart and flows slowly in the center of the mind.At the same time,in describing the thoughts of a certain stage of Inti's life,he never skimps his pen and tries to show his strange thinking and the complex and turbulent social background of the time.The image of Inti also has the duality of ‘dancing' and ‘building',both indulgence and cool philosophy,combining romance with reason.The purpose of this paper is to explore the unique artistic characteristics of Wu Mingshi's novels based on the unique stylistic features of anonymous novels,combining stylistic and cross-stylistic related theories,exploring the unique artistic characteristics of anonymous novels.Therefore,the following chapters are designed in this paper:The introduction part mainly combs up the research situation and the theoretical knowledge about the literary style and the cross-genre writing,so as to lay a theoretical foundation for the study of the cross-stylistic characteristics of Wu Mingshi 's novels.First of all,combing through the pre-and later-stage of the novel and the critic's evaluation of his works.Secondly,on the basis of the stylistic concept of Tong Qingbing,the author explores the possibility of cross-genre writing in theory.In order to talk about the cross-genre,it is necessary to know what style is,the style is composed by the body,the style,the system,the cross-text text shows the characteristics is to break down the boundaries between the genres,mixed with different styles,mixed with different styles.Thirdly,the author's practice of crossgenre writing is distinguished from the cross-genre writing at the turn of the century.The former is the author's inner transcendence and pursuit,and the writer's own expression and thinking habits,the latter is the result of the commercial benefit.The first chapter is about the narration of time and space of the Wu Mingshi's novels,starting from the structure,the time of subjective experience,the space of agglomeration and the perception of the infinite space-time.In Henri Bergson's case,time was freed from its dependence on space to form the character of "continuity",and time ceased to be a concept organized in the form of space,and time was added to the inner experience of the individual.The concept of time for Wu Mingshi is based on his own experience,sometimes setting time to magnify the feeling,sometimes in closed cycle time to form an open time horizon.And the novel takes the inner emotion as the main line,takes the life experience as the dotted line,in the psychological space and the external social space constantly switch,the virtual reality intersects the scene successively.The concept of time and space breaks up the linear narrative and the inner psychological space of the characters,which leads to the confusion and interweaving of text and narrative language,which leads to the formation of the crossgenre character.The second chapter focuses on the interweaving of cross-genre internal structure,literary genre and non-literary genre,from the interweaving of poetic novels,the prose novels and the analysis texts of the painting novels.The fusion of the novel and other Literary Genres is embodied in the single genre directly inserted into the novel,such as presenting the whole poem in the narration,expressing some kind of emotion of the author through poetry,which is a mixture of poetry and fiction;Or to include a description of a picture in the narrative,which can be said to be the fusion of painting and fiction.On the other hand,the novel borrows the expression of other genre,such as absorbing the artistic expression of the poem,absorbing the art of using colors and lines to express the characters.The fictions of Wu Mingshi absorb the characteristics of the lyric of poetry,which is permeated with rich lyrical color.As for the characteristics of its prose novel,it pays attention to detail description,desalinates the story plot,more close to the real life.In the representation of characters,the use of color sense to the character character characteristics.The interweaving and blending of these genres makes the novels of Wu Mingshi appear as a cross-genre.The third chapter focuses on the specific expression of style in language,which presents a unique style through the interweaving of lyric style,argumentative style and narrative language.Each genre has a corresponding style,and since Wu Mingshi's novel is a fusion of Genres,it is also a hybrid of multiple styles.He likes to use obscure words of similar significance to enhance the vigor of the sentence and thus enhance emotion,spurring a great flood of enthusiasm.His philosophic discourse on life and religious thought is also inserted into the novel,which is logical and contains the significance of exhortation and revelation.The dense imagery and crowded vocabulary all come together to make the works of Wu Mingshi appear in a complex language style.In addition to discussing the representation of cross-stylistic features in the text,each chapter will also briefly analyze the reasons for the formation of this aspect,in the creative style and form of the excavation of works unique artistic charm.