The Beauty Of The Blend Of Poetry And Music

Both Chinese literature and music belong to the category of art.Literature and art are examples of the integration of water and milk.They are closely linked to each other and cannot tell each other.From Guan Yu to Jiu Ge,from the "Water Melody" to "Tian Jing Sha",in literature and music,our ancestors left us with a splendid cultural heritage.In the Tang Dynasty,when the poet wrote "a parting tune with a thrice repeated refrain",during the Song Dynasty," a parting tune with a thrice repeated refrain" was changed from poetry to words.After several twists and turns,during the Yuan Dynasty,the " a parting tune with a thrice repeated refrain" and the music were merged into a unity of the three:poetry,Words and songs are ancient arts,and poetry and music are perfectly integrated.The artistic value and its literary achievements of" a parting tune with a thrice repeated refrain" show the profoundness of Chinese traditional culture,which has caused later generations to be deeply enlightened and edified."Glamorous Dance" is a well-known masterpiece of the Tang Dynasty.It is an art work that integrates poetry,music,and dance." a parting tune with a thrice repeated refrain" inherited this outstanding tradition to prove that poetry and music are in perfect harmony.Relationship.The erhu song "a parting tune with a thrice repeated refrain"borrowed from the ancient metaphor of the present,is a piece of piano music "a parting tune with a thrice repeated refrain" for transplantation and re-creation works.This article uses a literature review method,comparison method,comprehensive research methods and other Methods A comparative study of poetry and music works of the same name reveals the essential relationship between the two:the "shape complements each other,and God follows."The erhu song " a parting tune with a thrice repeated refrain" is a musical work inspired by Wang Wei's Tang poem "Send Yuan Er'an Anxi" and Qin Song and Qin Qu's "a parting tune with a thrice repeated refrain".The author wants to embody the beauty of poetry and rhythm of "a parting tune with a thrice repeated refrain"-artistic conception.From this,it is necessary to outline the musical context of " a parting tune with a thrice repeated refrain" and to reflect the blending relationship between music and poetry.The author believes that "a parting tune with a thrice repeated refrain"experienced a change from history,culture,music,and other forms from the Tang Dynasty to the present,trying to find a revelation from "a parting tune with a thrice repeated refrain".The form of art undergoes any changes,regardless of its history.The inner spirit and value are all constant,just as Yang Shixun said:"The poet's movement is also.""a parting tune with a thrice repeated refrain" not only gives people an inspiration from poetry and outlines an outline-artistic conception,but also from the language of music,carries out a kind of artistic beauty that cannot be expressed in literary language,poetry and music.This perfect blending together,the author tries to analyze the poem and music of" a parting tune with a thrice repeated refrain" from the following points.The full text is divided into five chapters,the author discusses from the following four points.The first point expounded the changes in the poem and music of "a parting tune with a thrice repeated refrain" and tried to find out the development experience of "a parting tune with a thrice repeated refrain".From this,the source of the beauty of "a parting tune with a thrice repeated refrain" poetry and music was explored;The"Third-Fold" magazine has undergone the evolution of various artistic forms such as the Qinsong and finally formed the erhu song " a parting tune with a thrice repeated refrain," which was composed by Sui Huifen and Shen Zhenglu.The author used the artistic genre of" a parting tune with a thrice repeated refrain" to try to express the literary conception of Tang poetry;the third point of the author's opinion is that the "a parting tune with a thrice repeated refrain" and the erhu music of the Qin Song consist of the "a parting tune with a thrice repeated refrain institute.Although the artistic conception expressed is the same,it is also different.The difference lies not only in the different forms of artistic expression,but also in the artist's second creation to determine the difference.The author tried to compare the two in order to seek the aesthetic mood of the erhu song " a parting tune with a thrice repeated refrain";the fourth point of the music is represented by the artistic conception of the poem,then the poem can only express the connotation of the music but cannot be expressed The artistic conception of music,how to integrate poetry with music and support each other so as to achieve the harmony of poetry and music?This is the focus of the author's inquiry.Therefore,the author combed Wang Wei's poem "Send Yuan ? to Anxi",and took it from Qin Song"a parting tune with a thrice repeated refrain" to Qin Qu "a parting tune with a thrice repeated refrain" and finally to "a parting tune with a thrice repeated refrain" of Erhu Song.Inquiries,from poetry to music,from rheology to sublimation,focus on the beauty of the fusion of poetry and music.The purpose is to clarify the relationship between the erhu and literature,so that the erhu music works better express the literary implication,as well as the musical characteristics of literary works,and demonstrate that the close relationship between erhu and literature is "you have me and I have you";Therefore,this article uses the Tang Dynasty poet Wang Wei's "Giving Yuan Er to Anxi" as a model to comb out the description of the music art contained in the literary works and the literary artistic conception contained in the musical works.This paper discusses the erhu song "a parting tune with a thrice repeated refrain"."And the Tang poetry" to send yuan two to Anxi" from poetry to music in the artistic aesthetics,designed to illustrate the inseparable relationship between literature and art.