Research On The Sorrowful Works Of "Selected Works"

By analyzing the text and stylistic form of the grief works and their related problems,this paper examines how the three styles of Fu,Shi and Wen express the emotional theme of sadness(one is a multi-body theme).In addition to the introduction and the conclusion,it is divided into three chapters.Chapter I is the text analysis of the grief works.This chapter is based on the analysis of the text of the sad poems,and then compares them with the other works in the Wen Xuan,which are related to the theme of grief.By referring to the sorrowful works from Pre-Qin Dynasty to Sui Dynasty,this paper examines their artistic characteristics,emotional implication and development context.The analysis shows that the theme of mourning Fu is sad for the tragic fate of individual women.Althrough the death of life to express the pain of grief and life thinking,or to express the general feelings of life regret in a specific society,the sad feelings gradually deepened.The last seven are to mourn the death of the individual.From the group to the individual,we can see that the writer is more emotional and more stable in expressing the theme of grief.The writing of mourning art tends to be mature.Ai Wen can be divided into two categories:Ai ci and Ai Ce Wen.The stylistic function of Ai Ci is from the initial use of the young dead to the development of adults,which embodies a progressive view of style,while Ai Ce Wen is applied to the people of the royal family.In a word,the writer uses Fu,Shi and Wen to express the theme of sadness,all of which reflect the sentimental and sincere emotional implication.Moreover,the expression of emotion is gradual.Delicate,artistic techniques are gradually maturing.Chapter II is the stylistic form of the grief works.First of all,from the genre,the sorrowful Fu is divided into Sao style and parallel style,which inherits the external form of Chu Ci and inherits its sad and angry cultural character.In the form of formality,the pian style of mourning has advanced the development of the art of mourning.The mourning poems are mainly in five characters,all of them are ancient style,and the mourning poems are sincere and simple.The system of sad words is different from that of Ai Ce Wen,and the mournful words are close to the mourning Fu,and the mourning poems are close to each other.These two styles are quite different from the prose of later generations.The mourning Fu,the mourning poem,and the Ai Wen have completed the mourning works describing the sad events and describing the sad feelings under their own system norms.The main body content,and lyric object different,its emotion implication also has the difference.Secondly,from the perspective of language style,grief works form a complete language system with sorrow or similar words,and rhetoric from phonological,semantic and syntactic perspectives,forming a melanchony language style.Thirdly,from the perspective of form,the main ways of expression of sad works are narration and lyricism.The lyric ways are mainly life and death contrast,sadness and joy,sound sadness and sadness,caressing feeling of death,nihility and reality,living in dreams,making things happen.The narrative way is divided into space and time and events,scene change,plot description,character dialogue and other narrative elements,endorsing style and narrative structure with lyric subject driving the development of the whole article,present and past,life and death comparative narrative technology.There are three main types of images in grief works:the first one is natural images such as animals,plants and abiotic images.The second one is objective entity and subjective illusory social images.The third one is special.Cultural images such as characters,places,events and so on.Four lyric ways to express sorrow from different angles.Three narrative ways to explain the reasons in all directions.Three image types to construct the grief field.Finally,from the perspective of style,the sad works take sadness as the aesthetic object,and naturally form the sad style,which is classified not only by content,but by style.In a word,from the perspective of genre,language,form and style,we can find out the stylistic characteristics of the theme of sadness in the three styles of Fu,Shi and Wen.It not only shows the stylistic function of expressing the same theme in different styles,but also presents the author's ideological,emotional and artistic dimensions.Chapter III is the conclusion.Firstly,the selected works of literature is the first to set up the category of sadness,and the general collection of the categories of Wen Xuan in the past dynasties and its extension are continued.The stylistic classification of the general collection of the supplementary works selected articles has a profound influence.Secondly,there are great differences in the views of mourning style between Wen Xuan and Dragon-carving and the Literary mind,which reflect the different functions of the two books.Thirdly,sorrow works are closely related to Confucian thought,such as the grief works is the product of Confucian etiquette,because of the different writing objects,it embodies the different values of life and the emphasis on the order of ethical hierarchy.The pursuit of immortal view of death.Fourth,Chu Ci gestated farewell,abandonment,injury,sigh the past,and so on.The use of such artistic techniques as contrast,time and space,and Bi-Xing is quite groundbreaking,and has contributed greatly to the enrichment of the themes and the development of artistic techniques in sorrow works.Qu Yuan and others provide etymological and spiritual sustenance for the later generation's sad creation with their bumpy fate and sentimental temperament.This paper from the diachronic and synchronic analysis of the text to study Fu,Shi and Wen different literary forms,and finally related problems,the thesis strives to show that the characteristics of literary works of the sad.