The Emotional Expression Characteristics Of Ornamental Images Such As Hairpins, Handkerchiefs And Fans In Song Ci

This paper mainly discusses the emotional expression characteristics of hairpin flower,handkerchief and fan as ornaments in Song Ci.It is divided into four chapters.The first chapter introduces the hairpin in Song Ci.The first is to summarize the phenomenon of hairpin in Song Ci,which involves the embodiment of the description of hairpin in the previous works and the statistics of the description of hairpin in Song Ci.From the statistics,we can see that the main occasions of hairpin in Song Ci can be divided into court and folk.The palace hairpin flower has the distinct standard etiquette and the emperor symbolizes the family color,the folk hairpin flower should be the festival scene and the embodiment daily life.The above provides the background for the second section of the discussion.The second is the characteristics of the description of hairpin flower in emotional expression,from the two kinds of flower phenomenon,white hair hairpin flower and holiday hairpin flower respectively.They reflect the emotion from the transcendental open-minded to the past no longer sigh and from the performance of the festive happy atmosphere to cherish the feelings of sadness.The second chapter introduces the handkerchief in Song Ci.The first is to generalize the description of handkerchief in Song Ci from three aspects:statistics of works,material and color of handkerchief and classical scene of handkerchief description.The classic scenes described in handkerchief are the embodiment of the main function of handkerchief.This paves the way for the second section to summarize the emotional expression characteristics of the handkerchief description in Song Ci from the three main functions of wiping tears,sending emotion and covering the face of handkerchief.Since the nature of male and female tears differentiated in the Song Dynasty,the handkerchief used to wipe the tears had a different meaning;at the same time,in the process of wiping the tears,the verbs linking handkerchief and tears were also used with great sophistication.The tender feelings and the sad feelings are intertwined with each other.The handkerchief mask becomes an eye spot for portraying the character.The third chapter introduces the fan in Song Ci.The first is the description of fan,it can be seen that the classical occasion of the appearance of fan in Song Ci is to rely on its practical function,from daily life to the banquet table.The second is to summarize the characteristics of emotional expression in the description of fans,which can be summed up as depicting images in decorative eyes,harboring ideals,expressing unmet sadness through the allusions of" fans be abandoned in autumn" and thinking of the past as clues for recalling the past and expressing the plot of the old country.In the male aesthetic perspective,fans as a daily decoration in the hands of women and men are given different emotions." fans be abandoned in autumn" donates a sad color for the troupe fan.This sad emotion is not only reflected in the feelings of men and women,but also rises to monarch and minister,thus expressing the writer's unwelcome sorrow.As a prop fan on the banquet table,it often becomes the clue of recalling the happy life of the past.In the background of the Southern Song Dynasty,in the eyes of the poets who live from Northern Song Dynasty,it often takes the color of the sorrow of travel or the sadness of the country.The forth chapter summarizes the common characteristics of three kinds of ornaments in causing sadness.In combination with the work,it was found that hairpin,handkerchief and fan could all achieve a kind of leap from joy to sadness in emotional expression,and that the transmission of sad emotion was more intriguing.It is also a typical embodiment of the aesthetic psychology of the Song Dynasty.In the process of expression,there are wine participation and the connection with female identity to play a role.The catalysis of alcohol provides an outlet for the expression of sad feelings and the manifestation of true self.Song people's appreciation of the beauty of women's tenderness combined with the lyric nature of the Ci style makes the conveyance of sadness in this kind of works more real and moving.