The Integration Of Tang Poetry And Pipa Performing Arts

In the development of national instrumental music in our country,the development of pipa has a long history.In the northern and southern dynasties,China through the silk road culture and art communication with western countries after the Qu Xiang pipa was introduced into China,since then,the pipa xing to gradually,in the development of China after the pipa,two thousand years of development history,the pipa from making form on the tone has its innovative change,the most prevalent in the tang and song dynasties,the poet Cen Can Ceng have to depict in poem: "seven hundreds of households in liangzhou,pipa half conference semifinals solution",the fact from the poem pipa prevailed in the tang dynasty,and during the period of the tang dynasty,poetry is more prevalent,thus emerged many wonderful poems about describing the pipa.Also from that,as an ancient and far-reaching ethnic Musical Instruments,since the ancient times poetry and literature of the intimate relationship,the two already attached to each other,promote,and each have unique characteristics,both mutual confluence,and sustain a charm.Literature as a carrier,is the pipa performance art behind a strong push to support,but also the instrument itself rich cultural background,the development of national instrumental music,perfect also played an important role,feel the pipa instrument development in tang dynasty literature and art,in the wonderful timbre of pipa instrument,formulate the tang dynasty literature depicted in the picture,is the so-called "charm because of poetry,poetry because of joy and elegant",pipa art and blend the mutual influence of the tang dynasty,which also emerged many pipa song about tang poetry works,this article will take the v-read tang poetry < pipa > inductive as an example,to deeply analyze the contents of the tang poetry reflects the pipa art.