Research On Luan Kai's Vocal Music Works

Luan Kai is a young military composer,and now,he is a professor and graduate tutor of the Music Department of People's Liberation Army Academy of Art.His works always give fresh vitality to the lyrics.The works are both fresh and elegant and also have a high level of artistic creation.His creation of vocal music works is not limited to a kind of singing,which requires the singer to follow the pace of the times and understand the appearance of the progress of the times.Nowadays,the injection of popular music makes social folk music at risk.Luan Kai's 12 th individual album New Classical Folk Songs and Yunshui Duan also conforms to the trend of the times and popularizes elegant music.“New Classical Folk songs” is a new style of songs explored and pursued by Luan Kai for many years.It pays much attention to the popularity and fashion of music on the basis of the Chinese traditional operas and folk songs.Praised the beautiful melody and emotionalise,simple structure and novel form,he combines traditional music and popular music in the works to reduce the aesthetic standards and to improve the audience's aesthetic ability.What's more,he is committed to promoting the development of elegant music,and time and always time to shoulder the responsibility of inheriting traditional culture.The author combines the three works of Luan Kai's in National New Classical and the album of Yunshui Duan as the examples then analyzes the singing of songs as well in this thesis.This thesis consists of four chapters.The first chapter describes the reason of the author's topic,the research status and the innovation of the subject.The second chapter introduces the works and artistic achievements of Luan Kai.In the third chapter,the author divides Luan Kai's vocal works into the following four types: military culture style,local characteristic creation,Chinese ancient music genre style and “big love” theme firstly and then the author demonstrates the characteristics of Luan Kai's song creation style diversification by combining the concrete works of Luan Kai's.The author introduces the album Yunshui Duan from four aspects: generality,epoch,nationality,artistry,as well as the description of the idea of publishing the album and the music style narrative conception in the third chapter.In the chapter four,three works were selected from the album Yunshui Duan as a breakthrough point and attached to the song spectrum to introduce Luan Kai's characteristics of song style creation and the analysis and research of his works in detail.The themes of the three works are all from Chinese traditional culture: the theme of Peony Pavilion comes from the repertoire of Tang Xianzu,a playwright of the Ming Dynasty;Fengqiao Du absorbed the poem of Fengqiao Yebo of Tang Dynasty poet Zhang Ji,which highlighted the aesthetic sense of Chinese classical poetry;The work Fuchun Mountain residence incorporates the wellknown paintings of Huang Gongwang,a painter of the Yuan Dynasty,into the picture of the song,which requires the singer to absorb the essence of Chinese traditional culture and emphasizes the importance of analyzing the connotation of the song so that the singer can grasp and deal with the use of “sound ” and “emotion” as well as the language articulation in singing different works.