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Research On Wuzhen's "Father Of Fisher" Theme Landscape Painting

Posted on:2020-09-13Degree:MasterType:Thesis
Country:ChinaCandidate:Q ZhangFull Text:PDF
GTID:2435330572972413Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
In Chinese traditional culture,the four lifestyles of fishing,squatting,farming and reading are synonymous with literati hermits.Many literati hermits use this theme to express their own seclusion ideas."The ancient sages are more hidden in the fishing",and the way in which the "fishing father" expresses the seclusion thought is more common.It not only expresses a fisherman’s lifestyle,but also expresses the literati’s longing for ideal life,and also expresses their transcendental mood of pursuing indifferent fame and fortune.It can be said that the "fisher father" plays an important role in the seclusion culture and is a witness to the development of Chinese literati landscape painting.Wu Zhen was a landscape painter known as the "fishing father" in the Yuan Dynasty.A large part of his works in the world is related to the theme of "fishing".Among them,Wu Zhen’s “one river and two banks” composition and unique pen and ink technique are important signs of his distinction with other painters.In his paintings,the fisherman depicted is not a fisherman who relies on fishing for a living,but a true portrayal of himself.Through the analysis of the fisherman in Wuzhen’s pen,it is actually to understand Wuzhen in a deeper level.To understand the "fishing world" in his heart.Although Wuzhen’s living environment is more complicated,in his paintings,he rarely reveals the thoughts and emotions that contradict the dark social reality,and does not resist and blame others,but creates a A world where you can live,a world of dreams.It can be seen that Wuzhen is a true hermit who is "hidden and hidden" away from the society and has a high quality.This paper takes Wuzhen’s "Fishing Father" theme landscape painting as the research object,and carries out research on the fisherman’s figure of Wuzhen.The first part mainly analyzes the seclusion thought embodied in the "fisher father" in landscape painting and the development and evolution of the image of the fisherman in the landscape paintings of the past.The second part explores the roots of Wu Zhen’s fisherman’s complex,mainly from the ideological foundation of Confucianism,Buddhism and Taoism,the social background under the rule of the Yuan Dynasty,the tendency of literati painting,the idea of family rejection,and Wu Zhenqing Gao Gujie.The characteristics of the personality are analyzed and studied.The third part mainly analyzes the artistic characteristics of Wu Zhen’s paintings from three aspects: composition characteristics,pen and ink techniques and cursive questions.The fourth part explores the reclusiveness of the painting of the "Fishing Father" theme from the aspects of painting poetry and hidden painting.The fifth part combines the research results of the previous parts and summarizes the enlightenment brought by Wu Zhen’s "Yu Yin" painting and its far-reaching influence on later generations.
Keywords/Search Tags:Wuzhen, fisherman, landscape painting, seclusion thought
PDF Full Text Request
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