"Mountain Village Impression Group Painting" Landscape Oil Painting Creation Research

Looking back on the development course of Chinese landscape oil painting,as a foreign art form,the creation practice and theoretical exploration of landscape oil painting are integrated.In the Chinese national characteristics and regional atmosphere,we should seek our own epochal aesthetics and find new creative ways to present a diversified artistic style with rich and diverse forms of expression and style language.In the 1950s,the art trend of "nationalization of oil painting"appeared in China.Today,the most prominent expression in the practice of landscape oil painting is the occurrence and exploration of "imagery" landscape oil painting.Because of the unique aesthetic inheritance of Oriental imagery and the particularity of the modernization process,the practice of Chinese landscape oil painting creation appears to be more active,showing "all-round" and "all-round".The characteristics of multi-perspective,some artists deeply influenced by the spirit of traditional Chinese culture,often intentionally or unintentionally integrate the traditional Chinese cultural spirit into their landscape oil paintings.The image thinking in the traditional Chinese aesthetic concept inevitably manifests itself in the picture,and gradually finds the integration of Western oil painting art and traditional Chinese image thinking in the continuous creative practice.The purpose of this paper is to study and practice my own understanding of the nationalization of landscape oil painting through the creation of Impression Painting in Mountain Village.Starting from the theme of rural scenery,on the basis of expressing the characteristics of home scenery and the declining status of traditional villages in modern society,this series of works analyses and studies the formal language of painting in the creation of landscape oil paintings,explores the development of the nationalization of Chinese landscape oil paintings in a deeper way,and conveys the concern about the situation of rural people in the interweaving of tradition and modernity.Make the paintings reflect the humanistic feelings and explore the imagery expression in the formal language of oil painting with modernity.