Research On Zeng Fanren's Ecological Aesthetics Thought

Mr.Zeng Fanren is a famous aesthetician in China and he is the founder of contemporary ecological aesthetics.He has acquired highly attainments in ecological aesthetics,aesthetic education and literary aesthetics.Ecological aesthetics is one of the most important achievements in the new period of our country.Professor Zeng Fanren,as the main advocator of domestic ecological aesthetics,has made a series of pioneering achievements in the past decade.Moreover,Mr.Zeng Fanren'study is so thorough and comprehensive of ecological aesthetics among those scholars.His research has played an vital role in the construction of ecological aesthetics' basic theory.This paper mainly discusses Zeng Fanren's ecological aesthetics through five aspects.First of all,it discusses the background of ecological aesthetics.The emergence of ecological aesthetics is not only closely related to modern economy,society and philosophy,but also closely related to the development of literature.Zeng Fanren's thought of ecological aesthetics not only has obvious academic background of world culture,but also has distinct Chinese characteristics,which is in line with the development of the road of ecological civilization construction in our country,and has full theoretical guiding significance.Zeng Fanren's ecological aesthetic thought has made full reference to the Chinese and western theoretical resources,such as the ecological aesthetic wisdom of Confucianism,Buddhism and Taoism,and Hyde.Gehl and the ecological philosophy thought in Marxism and so on.Secondly,it discusses the main contents of Zeng Fanren's ecological aesthetics thought: first,ecological ontology aesthetics: which not only draws lessons from the western ecological existential theory,There is also Zeng Fanren based on China's national conditions and the reality of the theory of ecological existence of the ideological point of view;The second is the exit of "humanitarianism" and the rise of ecological holism and the ecological aesthetic education of "cultivating artists of life".Zeng Fanren's ecological aesthetics,developed from traditional epistemology to materialistic practical ontology,broke the opposite thinking mode of subject-object dichotomous in the past and took ecological philosophy and ecological ethics as the important theoretical support to oppose the viewpoint of humanitarianism.Push for the ecology Holism and the harmonious symbiosis between man and nature regard nature as the home of human beings.Zeng Fanren also recognized the importance of ecological aesthetic education and tried to construct a new value of ecological education through ecological aesthetic education.Third,the "life aesthetics" rich in humanistic implication and artistic charm.Zeng Fanren further excavated the theoretical connotation of "life is easy" in Zhouyi,and combined it with the development of contemporary society to critically inherit and carry forward it.As an important achievement of Zeng Fanren's ecological aesthetics research,"Shengsheng Aesthetics" aims to provide a beautiful home for human beings to live poetically and survive for a long time.Traditional Chinese art In the form of operation,it also contains abundant and profound "a hand" wisdom,and the oriental ecological wisdom contained in the classical form is still an important connotation of the contemporary ecological aesthetics.Finally,this paper summarizes and reflects on the emergence of Zeng Fanren's ecological aesthetics thought.Zeng Fanren's thought of ecological aesthetics not only pursues the unity of ecology,humanities and aesthetics,but also reflects and explores the road of ecological construction in China.His thought of ecological aesthetics not only provides new theoretical guidance for the constructors of Chinese ecological civilization,but also shows the future development prospect of Chinese ecological aesthetics.