Music Analysis Of "Song Of Heaven And Earth"

The recent work of composer Zhang Chao,the concerto"Tiandi Ge",was premiered at the Beijing Concert Hall in early 2017.The band was the Central National Orchestra,soloist Dong Xiaolin,and commanded Liu Sha."Heaven and Earth"is full of rich ethnic styles in the southwestern region.The two main lines of this work are the two long lines of the Yi people's love narratives,"Zhu Shuzhen and Normu Nona"and one of Shen Congwen's masterpieces,"Biancheng".Based on a folk story,they describe the simple and tortuous love story of the Yi people in Yunnan and the customs and customs of Xiangxi poetry.It is also an important way of expression to intertwin two stories in one piece and to try"montage"in music creation.In the works,the two main lines of the line,"Zhu Shuzhen and Mumona"and"Border Town"are intertwined,and the latter part of the two has reached unity,showing the composer's feelings towards the folk traditional culture,and also the composer's beauty and The aesthetic ideal of love.This article is mainly from the perspective of composing techniques.Because the two background main lines have more plots,more themes and more marginal curved structures are used in this song.This work was developed in an innovative way in the development department,and the solo instrument was seamlessly connected to the band in the expansion department to become the second stage of the core part of the development department.Because of the use of special composition techniques,the large orchestra does not reduce the momentum of music development.The solo instrument is rich in expression in the national instrumental music,and at the same time,it is closer to the four-string folk musical instrument and the Yueqin of the Xiangxi Miao nationality in the background story.The composer used a variety of innovative playing methods on this instrument,which is refreshing in the sense of hearing.Different from the previous style of Pipa concerto.From the point of view of the performance of the orchestration,this work draws on the various elements of folk music style to form the colorful orchestration technique of this work and uses complex and novel forms of performance.The overall purpose of the band is to create the color of folk instruments.At the same time,through the changing modes of each instrument group,it brings a visual and visual effect,showing the scenery that the composer saw during the collection,and passed it to the audience through the band.At the beginning of the work,the composer flexibly used the percussion instrument group,and also used the clues throughout the first part,and also reflected in the third part,which improved the subordinate status of the percussion group and made it the main part of the work.One of the materials.Overall,this work reflects how the composer taps the nationality and how the composer has highly unified the colorful and varied folk music and national music.The main lines of the two stories are intertwined and will gradually prove the dialectical thinking of the composer and the philosophical ideas of the composer deeply explored through the works.