| Nowadays,with the continuous enrichment of Chinese stage art forms,many traditional folk dance forms in the dance field are coming to the stage,showing different aesthetic forms in different presentation ways,such as original presentation,original adaptation and element creation,which is worthy of attention.The"xuan" in ali region of Tibet was included in the second batch of national intangible cultural heritage in 2008 and classified as dance.High and simple songs,gorgeous and simple clothes,thick and unique action vocabuIary.Different from the unique styles of other Tibetan dances,it presents the diversity of Tibetan dance styles and is an important part and valuable material of.Tibetan dance stage.As dance material,”intangible cultural heritage" also reflects the aesthetic characteristics of different forms in the stage.Through the field investigation of the original form of "xuan" and the observation of the stage presentation.The four most representative works in the three types of "xuan" in the stage,including original presentation,combination adaptation and material creation,are analyzed from the background of the creation of works,the degree of application of materials and the representative works in the stage field.Through the specific analysis of dance means(field map,compilation and creation technique),music means and stage art(costume and lighting),the differences of these three aspects in the works are compared,and the differences of aesthetics in the three aesthetic forms are considered,as well as the factors affecting the differences in the process of aesthetic change.Taking the typical works of"xuann dance on the stage as an example,this paper discusses the different ways for works with "intangible cultural heritage" as the material to enter the stage.Compilation and creation of "intangible cultural heritage" in the stage field;The relationship between stage creation and intangible cultural heritage.The purpose of this paper is to explore and discuss the current situation of protection and development of "publicity",and to think about the development path of traditional dance staged,the process of artistic folk dance works and folk materials,as well as the relationship between folk dance creation and dance theater.This paper is mainly composed of five parts:introduction,chapter one,chapter two,chapter three and conclusion.The introduction describes the purpose,significance,research status,research theories and methods of this paper,The first chapter mainly expounds the publicity and presentation of intangible cultural heritage in ali region of Tibet,and lays an analytical foundation and basis for the analysis of the second chapter.The second chapter mainly aimed at the "xuan dance theater stage" in the works,from the background,the use of the material,analysis of a concrete analysis of representative works,it is roughly divided into"authentic" and "change","shine at the moment,"the three works of aesthetic form,one of the representative works of analysis mainly from the dance style,music forms,stage art three aspects specific analysis;The third chapter is based on the specific analysis of the three aesthetic works of "xuan dance"on the stage in the previous chapter,focusing on the comparison of their differences,and then thinking about the factors affecting the differences.Conclusion:focus on the different ways of "intangible cultural heritage"works on the stage;Compilation and creation of "intangible cultural heritage" in the stage field;Discussion on the relationship between stage creation and intangible cultural heritage.Articles in discussing problems,trying to combine anthropology,related to the dance form,aesthetics and other related theoretical analysis and analysis,at the same time using the flow field for the dance masterpiece,grouping,scheduling for specific rendering,and borrow the buckling analysis of carding paragraph structure of the music and dance,try a more detailed analysis of "xuan" aesthetic features in the field of the stage,better contrast different aesthetic between the aesthetic differences. |
