Research On The Application Of Folk Art's Original Creation Theory In Modern Ceramic Art

The modern ceramic art innovations that took place in Japan in the 1950s in Japan and Otis in the United States promoted the true development of modern ceramic art and marked the rise of modern ceramic art.Since the reform and opening up,China's modern ceramic art has not yet realized the connotation of modern ceramic art in the United States and Japan,and has carried out a series of mainstream forms of imitation.This is undeniable.China has been a big ceramic country since ancient times.In the field of modern ceramic art,we should try to find a ceramic art road with Chinese characteristics in the extension and breakthrough of traditional ceramics.This thesis attempts to break away from the Western modern art system.Based on Zhang Daoyi's theory of creation art,this paper proposes the method and significance of this theoretical viewpoint in modern ceramic art by studying the theoretical viewpoint of Mr.Zhang Daoyi on the art of creation of folk art.The application and practical application summed up the modern ceramic art design based on the "Cultural Art Elementary Creation Theory".The idea of modern ceramic art returning to the art of creation and the idea of creation of the folk art has a promoting effect on modern ceramic art,and at the same time is conducive to the reflection of Chinese ceramic artists on modern ceramic art in China.Therefore,this thesis explores the theoretical viewpoint of Mr.Zhang Daoyi's folk art elementary creation theory,and uses this theory as his support for the modern ceramic art argument.The author attempts to reflect the main content of this article by taking the practice of folk art elementary creation in the field of modern ceramic art and inheriting the root of tradition.The author believes that inheritance and contemporary should not be a system of faults,but should be a cultural system with a bloodline.Western ceramic art and Chinese modern ceramic art have different cultural heritage and historical background,and cannot be imitated blindly.China and the West must have a completely different development path.Therefore,China's modern ceramic art is faced with the cultural inheritance of nationalization and the extraction of global excellent culture,and should be diversified into modern ceramic art with Chinese characteristics.