From The Perspective Of Literary History, The "contemporary" Investigation Of The Collated Editions Of Commentaries In The 1950s And 1960s

This thesis mainly takes edition of Yangzhou commentaries Wu Song as the main example.This thesis discusses the 'contemporaneity' of the review edition of the fifties and sixties from historical context,production-communication mechanism,the progress of the sorting work,historical destiny.This thesis tries to explore the special value and status of thereview editions which published in the fifties and sixties in the history of Chinese contemporary literature.This thesis consists of three parts:preface,text and conclusion.The preface mainly distinguishes and analyzes the meaning characteristics and their mutual relations of 'culture','art' and 'literature'.The specific scope of 'contemporaneity'mentioned in this paper is clarified.This part also confesses the writing idea of this article.The main body of this paper is divided into four chapters.The first chapter is 'The contemporary literature ecology and the commentary reorganization forerunner'.This part shows the background of the 50's and 60's and discusses the revaluation of appraisal value under the new power structure.Irn the aspect of synchronicity,the public view of literature and art formed under the "war thinking" should be emphasized,and the folk literature should be returned to the historical context where it is regarded as authentic.Diachronic aspect,with the 'reform of old storytelling' movement in Yan An period as the forerunning voice of pinghua collation published in the fifties and sixties.This part also explores the development of storytelling collation movement.The second chapter is 'Organized production-communication mechanism of revision of the storytelling'.This part analyses how does the political power penetrate into the production and dissemination of the conmentary collation published in the 1950s and 1960s.The power relation,organization form and interaction way of the state will,the intellectual straightener and the folk story-teller are focuses.The third chapter is 'Exploration and maturity of comment arrangement in contemporary context5.This part is based on the compilation of Wu Song to analyze additions,deletions and changes of words in the original book.Then it summanzes the principles and methods of collation under the cover of political power and the scale of the application of these principles and methods.This part also discusses the alteration of the text caused by the change of political power and the restrictive factors affecting the alterationChapter two and three mainly discuss the influence of power on the collation of storytelling,while the fourth chapter mainly discusses the publicity effect of the collation on political power.The fourth chapter is 'the contemporary influence and its historical destiny,.This chapter points out that although the revisions of storytelling published in the 1950s and 1960s has the classic exemplary significance because of its identity of 'Transitional state'literature.However,its 'congenital defecf decides that it cannot complete the full expression of power discourse.This part analyzes the historical inevitability of the destiny of the revisions published in the 1950s and 1960s from the above perspectives.The 'contemporaneity' of the revisions of storytelling published in the 1950s and 1960s is a series of characteristics endowed with the comprehensive intervention of political power in the 1950s and 1960s.The writing of storytelling art is the catalyst for the development of revisions'contemporaneity,'Contemporaneity' is not just a static result,it covers the whole process of literature from production to communication.'Contemporaneity5 is not the same as "political nature".It marks the dilemma of deconstructing and constructing that literature met under the political pressure at that time.