Analysis Of Chopin's "Lullaby In D-flat Major (op.57)"

In 1843,Chopin created this “Ladder for lullaby in d major(op.57)” and was published in 1845.This is the first time that lullabies have appeared in the public eye as a form of piano solo.The first lullabies used the variation of writing techniques,left-handed long-span accompaniment and a divided rhythm pattern to imitate the cradle's shaking.This work embodies the tenderness of Chopin.Although the structure of the first lullabies is not so complex and relatively small compared to other works of Chopin,there are still many performers playing this lullabies at concerts,so it can be shown that the lullabies are occupied in many of his works.Very important position.This article starts with the life of Chopin,and lets everyone begin with a brief understanding of the composer.Then he introduced the background of this first lullaby.It made us understand what kind of works Chopin created under the circumstances at that time.Help us better understand this piece of work.This article makes a simple analysis of the musical nature and variation techniques of the first work.Based on this,it focuses on the analysis of the performance of the work,the introduction-theme-I-XIV variation-the conversion of the rhythm at the end of the song,and the keystroke method.The changes,the musical connotation of the expression,the use of the pedals and other aspects were explored,and the performance method for playing this first lullaby was concluded.And through a comparative analysis of the performance versions of three well-known pianists at home and abroad,summarizing and summarizing the different interpretations of this work between them,the different pianist's playing styles,and the respective works of Chopin.Unique explanation.This will make it easier to play the lullabies in the future and provide reference and help for those who will study the lullabies in the future.