"Plain·Condition"—A Study Of Morandi's Painting Language

The main idea of the thesis is the inference order from “outside” to “inside”.In the “outside”region,choose the three most representative arguments as the foothold.In the “inside” range,look for the three most influential.The direction of force is interpreted;the research direction of the full text is mainly divided into two parts:The first part is to demonstrate the key to the analysis from the three aspects of Morandi’s life in Bologna,the similarity of the appearance characteristics that are depicted day after day,and the fact that the target effect of the picture is very uniform.morpheme".The second part is to analyze the thinking of Morandi’s paintings,analyze the inner intentions and purposes,and analyze the internal causes.It can study the painter’s ability to give up the self-expression while facing the painting object.I think.From the analysis of the external picture,the unique artistic conception that emerges can reflect the unique perspective of thinking.Finally,by summarizing the two characteristics of “plain” and “artistic conceptio”,the concept extracted from two keywords is used to interpret a kind of viewpoint of “beyond self and face the reality” in the artist’s creation,and always insists on depicting the object itself.