On The Female Characters In Ye Guangqin's Novels

Female character type analysis,this article attempts from the writer's subject consciousness of women-"I",the culture of the female figures mark in three aspects combing Ye Guangqin female characters in novels,explore the writer works contain deep literary value and thought meaning behind it.The thesis is divided into three parts: introduction,text and conclusion.The introduction mainly discusses the content of three parts.The first part briefly summarizes the significance and purpose of the topic.The second part is the domestic and foreign research summary.At present,there is only one study on Ye Guangqin in foreign countries,and domestic research results are summarized from two aspects: monographs and literatures.The third part is to introduce the research method.The main body is divided into three chapters:In the first chapter,the female characters in Ye Guangqin's novels are classified and analyzed.The female characters in Ye Guangqin's seven novels are divided into three types: feudal fallen nobility,traditional civilian women and victims of war.In the declining feudal aristocracy,there are both guardians and fugitives of feudal culture,showing the conflict between the old and the new.Traditional women also present two opposite phenomena in the alternation and change of times,namely the victim of male power society and the awakening of female consciousness.Two special groups of women have emerged from the sino-japanese war,including comfort women and survivors of nuclear bombings,and Japanese orphans left behind in China after the war.After returning to Japanese society,the Japanese orphans who were deeply influenced by the Chinese idea of "benevolence,justice,courtesy and wisdom" education reflected the difference between Chinese and Japanese cultures.The second chapter analyzes the representation of female subject consciousness,the figure of "I".In family novels,"I" has a dual perspective of girls and adults.The "I" in the Japanese story has two identities.When I studied in Japan,"I" had a more objective and clear understanding of the war.As a housewife looking after her husband in Japan,I find the extraordinary in my ordinary life.Comparing "I" with "I" in reality,we find that "I" is actually the character after the artistic processing of "I" based on his life trajectory.The unyielding fear and disappointment of "I" when I ran away and came back were complex and connected with the author's own feelings towards his hometown,showing a unique emotional tendency.From Ye Guangqin "self" to "I" in the novel "superego",is a writer with "I" presented the self-consciousness of transformation,the female characters who got the compensatory satisfaction "I".The third chapter analyzes the culture of female characters in Ye Guangqin's novels.Manchu culture,Confucian culture and Japanese culture are all reflected in female characters.The manchu female characters in the novel are different from the han women in politics,marriage and family status,showing the fracture of their self-identity cognition in the patriarchal culture.The women who embody the spirit of Confucian culture are dedicated to the revolution in three dimensions,elegant in seven virtues,and loyal to the feudal hierarchy.The differences between the female characters in Japanese traditional culture and the Chinese immigrants from the perspective of Japanese culture.The conclusion summarizes the ideological value and cultural significance contained in Ye Guangqin's novels.Behind the female characters is a sober examination of the aristocracy and the common people,a search for the traditional family culture,and an objective narration of the cultural difference between China and Japan.