| The Kazakh long narrative poems are an important part of the study of minority literature and have pioneering significance in the history of Kazakh literature.This thesis with Chinese Versions of the Kazakh Dastan long narrative poemis a text-based,to track historical changes of Kazakh cultural and aesthetic development of the Kazakh nomadic culture track to conduct a comprehensive combing,aesthetic symbol,aesthetic form,aesthetic sense,aesthetic value and aesthetic cultural heritage as a starting point,using the methodology of aesthetics,aesthetic activities of nation Kazakh Dastan in long narrative poem contains.In this sense,I went deep into the depths and made an attempt to study the aesthetics of the Kazakh long narrative poem Dastan.Judging from the aesthetic symbols,most of the original forms exhibited by the Kazakh daily production and life are recorded in the literary texts,and Kazakh is a nomadic nation and is constantly carrying out symbolic activitiesat different times and in different places.The special culture of the Kazakhs laid the Kazakh national aesthetic culture,and then refined and analyzed the meaning of the aesthetic symbols in the literary texts on the feelings and emotions that were touched between the different symbols derived from the Kazakh long narrative poems.Where.Tracing from the deeper sense and extending the emergence of this kind of emotional consciousness,we can see that the root of the symbol is the embodiment of strength and courage,expanding the "hunting" and "brutal" in the original nomadic life of the Kazakhs under the beauty of life and strength.Judging from the aesthetic form,the Kazakh long narrative poem Dastan’s social changes and historical culture are in harmony with each other,and the art and aesthetics in the narrative poems are integrated.Whether it is from the Kazakh aesthetic plot or aesthetic activities,the artistic form implies the beauty of the image in terms of the symbolic meaning of animal shaping and the image of the isomorphism of human beings.From the aesthetic expression object,"beautiful" as the Kazakh aesthetic paradigm contains the beauty of the Kazakh long narrative poem Dastan’s flexible beauty;the "sublime" object is the rigid freedom of beauty,the behind these objects are not left behind Open hostility and horror,this chapter is specific to the Kazakh long narrative poem Dastan,the "living fossil".Judging from the aesthetic consciousness,the Kazakh aesthetic consciousness is embodied in the two aspects of "the ritual beauty in the tribal consciousness" and the "ethical beauty in the traditional moral concept",including "wedding","burial" and "mutual love"."harmony" and other aspects.Kazakh weddings and funeral ceremonies show solemn tribal consciousness,Park Woo’s witch spirit consciousness,mutual love and harmonious morality in the family ethics and social harmony consciousness.Therefore,features original text with a strong religious overtones,were reflected in the Kazakh aesthetic consciousness in the ritual beauty and ethics in the United States.From the perspective of aesthetic value,the only artist of the Kazakh Dastan oral culture,Harbin Wood,explores the aesthetic value of emotional purification and the aesthetic value of oral culture.Specifically,it includes infiltrating the individual’s mind,expressing the heartfelt feelings of the listener and so on.Among them,the performer is the basic symbol of embodying the aesthetic value,and it is also the premise basisof the performer’s oral aesthetic value and the audience’s aesthetic value.The aesthetic value of the performer’s culture is based on the correction and compensation of the Kazakh traditional culture aesthetic concept,combined with the Han aesthetic culture.The value fully demonstrates the value of the great integration of the Han and Han nationalities.From an aesthetic point of view of cultural heritage,whether it is ethnic Kazakh daily life or spiritual life,it is a manifestation of Kazakh centripetal force,that long narrative poem Kazakh Dastan is important to live in the grasslands of culture and art carrier.Therefore,the inheritance of the aesthetic culture of the Kazakh Dastan is reflected in the following ways: First,taking the example of the Kuqa Ayush Township in Fuhai County,Altay Prefecture,to protect the status quo of the non-legal Stan,focusing on the inheritor Harbin Wood protection;second,HUMANITY overall protection,strengthen publicity and intangible cultural heritage of the establishment of incentives.This dissertation on the aesthetics Kazakh Dastan long narrative poem mainly in five aspects of literature,aesthetics,religion,art,ethnic fusion had a tentative gaze and analysis,Kazakh Dastan long narrative poems in Kazakh contains The aesthetic implication of multiculturalism,and then the generalization of the Kazakh aesthetic symbols,aesthetic form,aesthetic consciousness,aesthetic value,aesthetic cultural heritage,and on this basis to find the unique theoretical reasons behind it,the path itself may need to be further explored However,a more in-depth textual interpretation of the aesthetic reasons behind the Kazakh long narrative poem Dastan is more responsive than the Kazakh long narrative poetry Darstein study,which has more historical materials and less theoretical research.It is also a kind of intentional exploration for Kazak aesthetic research,and expectationscan arouse further attention to the Kazakh aesthetics and the construction of minority aesthetic theory. |
