Han Leran's Art Activities And Art Creation Research In Xinjiang

Han Leran(1898-1947)was a revolutionary artist whose life experienced revolutionary turbulence and baptism.His artistic creation was intertwined with historical circumstances.This paper focuses on Han Leran's artistic activities and works in Xinjiang,combs relevant historical documents and facts,and combines with specific works to analyze and summarize Han Leran's artistic creation characteristics and artistic ideas during his time in Xinjiang.The full text takes Han Leran's artistic creation in Xinjiang as the main line,and his revolutionary identity and revolutionary activities as the auxiliary line.This paper is mainly divided into four parts.The first part reviews the background of the "great migration" of the native westbound in the anti-Japanese national salvation movement and the personal growth process of Han Leran.The second part mainly discusses the artistic creation of Han Leran in Xinjiang in detail.First,it classifies his works,focusing on the influence and reflection of the regional cultural and artistic resources in Xinjiang in his creation.The third part is to explore the main ideological issues of Han Leran's artistic creation and activities in Xinjiang,and his contribution to the cause of Archaeology in Xinjiang.Finally,it summarizes and summarizes Han Leran's artistic creation and activities in Xinjiang.Based on the research of Han Leran's artistic activities and artistic creation in Xinjiang from 1946 to 1947,this paper makes a gradual analysis of his artistic practice and origin of artistic creation,inheritance of his painting style and artistic style in Xinjiang,explores the connotation and tendency reflected in his artistic works,and further improves and deepens his artistic research.