"Three Kingdoms Story"'s "daily Chemical" Performance And Reason Analysis

Since the introduction of The Romance of the Three Kingdoms into Japan from the Edo period,it has been highly welcomed by Japan because of its unique charm,which has led to many "Three Kingdoms craze in Japan.At the same time that the "Three Kingdoms were accepted by the Japanese people,Japanese culture was also being transformed in a subtle way.With the continuous increase of contemporary exchanges,many people have noticed this problem and have carried out certain research on the "Three Kingdoms in various fields.What we can feel from the existing Japanese Three Kingdoms" is the different connotations of the "Three Kingdoms" given by people of different eras.In the context of different eras,the Japanese built their own spiritual world through the"Three Kingdoms",a cultural element from China.From the introduction of the net glass script and the ukiyo-e paintings,to the modern novel Three Kingdoms"by Yoshikawa,and to the "Three Kingdoms" under the post-war reflection literature and various expressions under the new era,they are all Japanese.The Three Kingdoms" reflects the personality and commonality of Japan.The reason why Japan produces so many works on the background of the three countries is that the spirit of the Romance of the Three Kingdoms is highly compatible with the spiritual culture of Japan,such as the concept of loyalty”embodied in the "Three Kingdoms world.The war scenes highlighted in the middle,and even its historical sorrow and sorrow,are in line with the"righteousness","Bushishidao" spirit and "material sorrow" ideology and culture in Japanese culture.In general,the "Three Kingdoms" in Japan are vastly different from the traditional Chinese originals,from the artistic image of the characters to the overall structure,from the main idea to the story.This difference is a transformation that a culture must undergo to enter another culture.The Japanese have screened the culture according to their aesthetic tastes and social concepts.By studying this screening situation,we can better explore the reasons for the differences in Sino-Japanese cultural exchanges and strengthen cultural communication more effectively.This paper is divided into five parts.The first part is the introduction,which mainly states the topic selection and the meaning of the topic.The second part is the dissemination and development of The Romance of the Three Kingdoms in Japan.By understanding its background,it observes the spread and influence of the cultural connotation of the "Three Kingdoms".The third part is the investigation of the heat causes of the "Three Kingdoms",through the analysis of Japan's national psychology and historical origins.The fourth part is the key part of the article.It includes the key points of the transformation of the”Three Kingdoms" in different periods.Through the changes of the "Three Kingdoms" in various artistic expressions in Japan in different eras,the focus is on its differences.The characteristics,looking for the commonality of the times and the commonality of culture,in order to explore the process of the Japaneseization of the Romance of the Three Kingdoms,in the last chapter to explore and summarize the causes of this phenomenon.This paper mainly uses comparative examples to analyze the differences between the two countries,and pays attention to theoretical exploration and factual basis,and classifies Japan's "Three Kingdoms”in a deductive way.Through this research method,the existing Wenchuang works are carefully analyzed.Try to be both focused on the details and the overall situation,to see the big and small.