On Deng Shiru's "printing From Book" In Deng Shiru's Thoughts On Seal Studies

The development of engraving art to the Tang Dynasty,the function of the seal began to have a subtle change,the emergence of a special type of seal for painting and collection,with the combination of seal and painting,part of the literati Yas s no longer only concerned about the practical value of the seal,but more to explore the artistic value of the seal.During the Song Yuan period,the new material that can be used for seal making,after the discovery of flower lactose,provided an opportunity for the literati to intervene in the process of sealmaking,which provided an opportunity for the literati to intervene in the process of sealmaking,from the earliest only not engraved to self-engraving,and thus launched the carving art in the knife method,the method,the chapter law on the road of active exploration.After the six dynasties,the law decayed,"printed from the printing" of the idea of hanging over the entire indian altar,the literati engraver is the "Printing Qin han" this engraving thought as a carving creation of the door.To the Ming Dynasty,the extensive participation of the literary community made the carving theory,techniques in this period has been a breakthrough development,the first see "printed out of the book" thought.In the middle of the Qing Dynasty,the development of examination and study led to the great development of Jinshi,writing,because the object of research and the use of materials mainly for the yi,Li shu body,so,the calligraphy of the book in this period has been revived.In this important historical opportunity,Deng Shiru’s book in the method "two Li" on the basis of the small,widely taken the method of the gold stone version,the bell Ding-yi instrument text,and participate in the pen meaning,and finally formed a unique personal style of writing.At the same time,he drew on the previous generation of engraving pioneers "book printing" ideological proposition and practical experience,with their own personalized engraving book into the printing,successfully practice the "printed from the book" engraving creative thought,so that the book and engraving between the reached a high degree of unity.On the basis of his pure-familiar knife method to show personal,pen-and-pen method,he widened the scope of the insignia,broke the Qin and Han sealins in the space to uniform arrangement-based layout of the chapter law,established the "removal can go horse,secret place does not make the wind" of the beauty of the space contrast,and has a far-reaching impact on future generations.To this day,there is still an important reference for the creation of individual engraving.The first chapter of this paper begins from the "printed from the book" this thought of the idea of the large background and Deng Shi such as "printed out of the book" thought of the proposed discussion.The second chapter is based on the time-cut order of Deng Shiru’s thought of "printing from the book" compiled by Mu Xiaotian and Xu Jiaqiong,and the relationship between Deng Shi’s "book" and "Printing" is divided into three periods,and the relationship between Deng Shi’s and his work is divided into references to the same period.It is confirmed that Deng Shi ru","printed out of the book" of the indian thought is with the formation of the personal style of books and constantly mature.Moreover,the reason why he can become a successful practitioner of the concept of "printing from the book",and he put into the printing of personal books in a strong feasibility has a great relationship,and the formation of this personal personalized book style also benefitfrom his book innovation process focus on the han has a direct relationship.The third chapter of the author broke the time order of The creation of Deng Shi rue’s engraving works,from the knife method,the method of the carver,the chapter method to discuss in detail Deng Shi ru "printed out of the book" of the concept of engraving in the carving technique of the important embodiment.The last chapter briefly summarizes deng Shiru’s thought of "printing from the book" on the influence of the printing field after the middle of the Qing Dynasty and the important enlightenment of personal creation.