The porcelain of fashion figures in the Republic of China is an epoch-making position in the history of China’s porcelain.This is mainly due to its exploration of modernity in the expression of porcelain painting art and the expansion of subject matter and content,that is,it melted the real life and aesthetic ideal into one furnace,breaking the traditional Chinese porcelain painting art’s hereditary style of nearly a thousand years.In this paper,through the in-depth study of the architecture and furniture on the porcelain of fashion figures in the Republic of China,from the type,material,appearance,structure,decoration style and other aspects of exploration,in the study,the use of the early Republic of China Architecture and furniture physical image and fashion porcelain painting for comparison and mutual verification,and then pointed out that the architecture and furniture on the porcelain painting of fashion figures in the Republic of China contains a diverse cultural concept.By combing the style evolution of architecture and furniture on the porcelain painting of fashion figures in the Republic of China,this paper points out that the porcelain painting of fashion figures in the Republic of China not only has its unique artistic value,but also has the historical value equal to the literature,which is an important graphic evidence for studying the history of architecture and furniture in the early period of the Republic of China.As a non renewable historical and cultural heritage,the colorful legends in the fashion porcelain painting of the Republic of China are the historical witness of the transformation of traditional Chinese architecture and furniture to modern times. |