Research On Traditional Mounting Techniques Of "Decoration History"

Painting and calligraphy mounting is one of the precious art and cultural heritage in ancient China,and it is also an important item of intangible cultural heritage in China today.In China,the painting and calligraphy mounting technology has a history of more than 1,700 years.After continuous development,evolution and research,a complete painting and calligraphy decoration system has gradually formed.The development of today's painting and calligraphy mounting technology has reached an unprecedented new level,and this new level has been raised on the basis of historical experience and traditional technology.For the discussion of traditional painting and calligraphy mounting,there was always a scale claw before the Ming Dynasty Zhou Jiazhou's "Decoration"."Decoration Records" is the first monograph on decoration in China,which comprehensively and systematically summarizes the decoration experience.However,for a long time,there has been little interest in decoration artists in the study of decoration history.This article analyzes the contents of the "Decoration",analyzes Zhou Jiazhou's decoration restoration concept,conducts practical experiments on the specific repair and mounting techniques in "Decoration",and strictly uses the materials in the book to restore the traditional mounting technology.Compare experimental data with today's practices,and consider whether some of these practices are suitable for today's use,or whether they no longer meet the disadvantages of today's needs.As people 's aesthetic needs continue to improve,they should not lose their attention and inheritance of traditional art while seeking new and different things.Keeping the essence of their skills is of great significance for the preservation and development of China's traditional culture,and for painting and calligraphy mounting.The study and work of restoration are also of great significance and continue the life of this skill.