On The Characteristics Of Li (Hongchun) School Guan Gong Drama

Guangong opera,especially the Opera plays with the main characters of Guanyu,is an important and unique part of the opera art.The character prototype of Guanyu image originates from historical facts,but for historical reasons,the image of Guanyu is gradually mythical,forming a very unique phenomenon of the three religions in the Chinese culture.It is also in line with the research theories of "ritual origin" and "no wonder,no transmission".After inheriting all of Mr.Wang Hongshou's Guan Gong's plays,Mr.Li Hongchun has made many innovations and has become a school of his own,which is known as the "Grand Master of Guan opera" in the industry.Therefore,"Li faction" Guan Gong opera has a high research value.In this paper,Mr.a Jia put forward the concept of "performing literature" for research.The aesthetics of Guan Gong opera can be divided into two main parts,one is the literariness of the script,the other is the appreciation of the stage.From the existing research materials,most of them are the records of their performing skills on the stage of the opera,dividing the stage performance and the stage literature into two parts.But "performing literature" put forward by a Jia thinks that stage performance and stage literature are harmonious and unified relations of mutual influence and development.Through the study of typical cases of "Li school" Guan Gong opera,we can better grasp its artistic characteristics from the essence of opera.First of all,this paper combs Mr.Li Hongchun's inheritance of performing arts and his artistic achievements.Through sorting out the transformation of the characters' images in Yuan zaju,Ming and Qing legends and Huabu Luan opera,Li Hongchun's transformation of Guan Yu's image from "God" to "man" is highlighted,and through the interaction with folk rap literature,Guanyu opera is more systematic.The main part of this paper tries to use the concept of performance literature to carry out a specific study of Li Hongchun's main works of Guan Gong drama,including the evolution from desk literature to performance literature,the expression of characters' inner feelings through action thinking,the relationship between time and space and illusion in stage and text,the construction of plot and the transmission of aesthetic experience by stage literature."Performing literature" is a concept put forward on the basis of stage art creation practice.By combing its concept connotation,the starting point is to find the relationship between the reality of life and the reality of art.The core issue is the special concept of time and space in opera.The creation issue is the dialectical relationship between language literature and performance literature.By studying the application of "performance literature" in "Li faction" Guan Gong opera,we can grasp its artistic characteristics from the essence,provide reference for the creation of opera literature,and better inherit and innovate.