An Analysis Of Jiao Juyin's Theory Of Nationalization Of Drama And Stage Practice

Jiaojuyin was the general director and vice president of the Beijing the people National Art Theatre.For the time,Jiaojuyin belonged to the Beijing People's Art Theatre.Under his leadership,Beijing Renyi became the target of the Chinese drama at that time.And continues to this day.The most important thing is that Jiaoju's artistic spirit of dare to explore,dare to practice,and dare to innovate is also passed down from generation to generation on the stage of Beijing's human art.However,he also belongs to the drama industry of the whole of China,leaving an indelible brilliance for the exploration of Chinese drama theory and practice.Jiaojuyin has studied Chinese and Western cultures,and has in-depth research and understanding of the Chinese drama tradition and the essence of Western drama.He also spans both the theoretical research and the director's creation of two drama fields,and both of them are very Excellent artistic achievements have created many classic works of art.He is an extraordinary master in the history of modern Chinese drama.Such a Jiaojuyin must inevitably set off the banner of the practice and theoretical exploration of the "nationalization of Chinese drama" in the middle of the20 th century.Therefore,this thesis takes Jiaojuyin's theory of nationalization ofdrama as a research object,and tries to excavate the connotation,characteristics and aesthetic thoughts of the nationalization theory of Jiaojuyin's hidden drama on the basis of the scholars of the predecessors.It is used as a revelation and guidance for our younger generation in the next nationalization exploration.