Unchanging Belief: Poetic Resistance And Perseverance

Ouyangjianghe's poems are of unrepeatable significance in the contemporary era.His wr iting posture in his poems is biased and antagonistic,which contains the poet's emotion al strength and spiritual bearing,protecting the resilience and vitality of his poems.This paper focuses on his poems from the perspective of writing posture,and use the research methods o f sociology of knowledge,genealogy,and close reading of texts to analyze his personal histor y of poetry,analyze his writing posture in his poems,and explain how Ouyangjianghe resisted and persisted in the time of sound and fury.The introduction defines the concept of writing attitude of poetry,summarizes and summ arizes the research status of Ouyangjingahe's poetry,introduces the methods and paths to the t opic and explains the significance of studying his writing.The first chapter mainly explores how ouyangjiang resisted the flat colloquial writing in t he age of consumption with the spiritual depth in his poetry.Facing the transition period of na tional ideology in the 1990 s,his poetry showed a temporary state of aphasia.He explored the poetic nature of daily life for intellectual writing,which filled a gap in poetry creation and ope ned up a new space.With his subtle sensibility and heterogeneous language,he incorporated c omplicated and diverse historical civilization into his poetry.He used the anti-word system he created to indirectly expand the tension and meaning of words,dispel their public nature and historical memory,and make them break free from the shackles of rhetoric and sentences and return to the most primitive state of poetry.In the face of industrial civilization and the spread of consumerism,he defended the dignity of the poet and the lofty temperament of poetry.The second chapter analyzes the connection of the traditional spirit in Ouyangjianghe's poems to the fractured culture.There are differences between the classical tradition and natio nal cultural identity of Chinese poets and the international intermingling of modern poetry."Hanging coffin" is he intended to end the classical,but inadvertently to carry on the traditionof the beginning.When the effectiveness of modern poetry disappeared,he realized the enli ghtenment of classical tradition to contemporary poetry.In his creation,he displays the classi cal image and grand artistic conception,emphasizes the poetic rhythm,puts the spirit of anci ent poetry on the flesh of modern poetry,and activates and awakens the lost tradition with th e inherent classical temperament of poetry.His poems strike a proper balance between traditi on and modernity,so that words are not only functional signifiers,but also signifiers attuned to the highest spiritual paradigm of Chinese poetry.The third chapter discusses how Ouyangjianghe insisted on the identity of the poet by int ervening in writing.Ouyangjiang suspended himself between his own country and other count ries as the undead of words,and proposed to intervene in the historical reality through localize d writing with the poetics of individual observers.While pointing to life experience,his poem also re-emphasize the poet's subjectivity.He pursues the grand narrative and overall view of t he theme of The Times,and provides a panoramic aesthetic landscape for contemporary life in the form of long poems.His intervention posture takes intellectual writing as the theoretical s upport,reflects on the contemporary historical reality in the way of modern knowledge geneal ogy and discourse,and sticks to the poet's subjectivity.The conclusion explains the value and inspiration of Ouyangjianghe writing.As the night watchman of the poetry front,ouyang river always sticks to the sacred status of poetry.He res ists consumption,continues the tradition,gets involved in reality,and explores and creates po ems with universality and eternity through personal experience.His poetic ideas and writing g estures,as well as the expression of poetry's inner vitality,not only show us the fragme ntation and crisis of modern life,but also let us hear the immortal voice of poetic conscience.