The Emotional Expression Of Color In The Second Creation

Color research is very important for all visual arts.Although the theory of color came into being in the 19 th century,the debate about color has never stopped.For artists,color is not only an important part of works of art,but also an important way for artists to express their personal feelings.Therefore,the study of color needs not only the theory of color,but also the emotional expression of color.Although the symbolic meaning of color and the typical emotion of color are summed up completely in colorology,the usage rule of color emotion in practical creation remains to be explored.The research on this aspect will help to improve the artists' ability to control color in the future creation,to promote the emotional expression of color language in art works,and to promote the painting art Technology diversified development.This paper will focus on the author's related art creation,elaborate the expression of color emotion in the creation,and summarize its general rules.This creation takes the European Renaissance sculpture works as the theme,through changing the way of color matching,on the basis of the original works,the second creation is carried out to explore the emotional expression of color.The article first expounds the reasons for the selection of the theme and the creation mode of the series of works,analyzes the art schools and artists with similar practices in the art history,and points out that the author mainly changes the color in his creation.Secondly,through the analysis of the artists,such as the tactician artists and bacon,the series of works are stated in turn,and the three aspects of color emotion expression,color emotion story expression and color emotion degree control are analyzed in turn.Finally,it summarizes the regional factors,time factors,primary and secondary factors of color emotion expression,and points out the significance of color emotion research in the new era,and summarizes the author's experience in the creation process.