A Comparative Study On The Application Of Movie Lens Language In Japanese Comics

Japanese manga master Osamu Tezuka borrowed the language skills of movie lenses in the creation of manga.Afterwards,the manga artist was like roaming the world of his own structure with a camera,and the grammar of the manga's lens was significantly improved.Among them,the introduction of movie mirroring has greatly improved the sense of substitution of comic readers.The mirrors have gradually become the soul of an excellent comic work,and also pushed Japanese comics to a high level,and even swept the world.Nowadays,comic book and film are two kinds of art categories which are integrated with each other.In the actual creation,the creation methods of the two also have more and more references.But after all,film is the art of time series,which is different from the time series of comics.Therefore,there must be some differences in the way of expression of camera language.This paper makes a comparative analysis of the differences in the application of film shot language in Japanese comics,and probes into the ways of expression of shot language in two different art forms of Japanese comics and films.The thesis consists of three parts: introduction,text and conclusion.The introduction part expounds the extensive application of the research on the language of film lens in Japanese comics,and then illustrates the theoretical importance of this research in the current development process of comics based on the current research status at home and abroad.The text is divided into five chapters.The first chapter summarizes the development of the film lens language and the Japanese manga format and lens,and explores the development process of the two lens languages from the historical source.In the second chapter,it summarizes the composition of film shot language and the expression method of Japanese cartoon,and delimits the research scope of Japanese cartoon and film shot language in this paper.Chapter three and chapter four take excellent Japanese comic works and films as examples,verify arguments through case analysis,and compare the similarities and differences in the use of film shot language in Japanese comics.Chapter five analyzes the limitations of camera language in Japanese manga.Finally,based on the ontology of Japanese comics and films,this paper summarizes the characteristics of camera language in Japanese comics and its enlightenment to creation.In this paper,by studying the lens language in the application of Japanese cartoon,digging in the Japanese cartoon points and application rules of mirror,let the creator in the technical level of theory and practice ability,in order to current Chinese animation and comic talents in animation industry guidance and the transformation of enlightenment and help.