Research On The Image Of "Folk Lu Xun" In Shanghai Tabloids In The 1930s

Regarding the "Image of Lu Xun" in the 1930 s,most academic circles now focus on several paradigms such as "Left-wing Lu Xun","Literary Lu Xun" or "Enlightenment Lu Xun".The above image of Lu Xun focuses on the knowledge of Lu Xun by the intellectuals and ignores the shaping of Lu Xun's image by the mass media.This article selects Shanghai tabloids with a long history and a large circulation and many anecdotes about Lu Xun's news as a sample and discusses in detail the construction and interpretation of the image of "folk Lu Xun" by contemporaries.After research,in the 1930 s,in addition to the "classic Lu Xun image",the "Lu Xun" in the population such as vendors,coachmen,shop assistants,female stars,and small newspapers became another non-serious and non-elite cultural symbol.These marginalized groups have shifted their focus from "society" to "individuals" and from the "spiritual realm" to "survival realm".The appearance of "Folk Lu Xun Speech" not only complements and improves the existing structure of "Lu Xun Speech",but also reflects the pluralistic situation of value demands and cultural ecology.This article is divided into three parts:The first chapter explores where the "folk image of Lu Xun" came from in the 1930 s,and in what historical context it came into being.Focus on analyzing the consumption and use of the "Lu Xun image" by the citizen group in the historical context of commercial and economic prosperity,expanded political opinion,and social and cultural shift.These include the selection of "consumption objects",the adjustment of the use of "consumption strategies",and the final presentation of consumption results.It further reveals how the folkization of economic life,the diversification of social benefits and the diversification of urban culture appeared in the form of "Lu Xun image" in the folk communities in the 1930 s.The second chapter,through a lot of historical data,presents the image characteristics of "Folk Lu Xun" in the Shanghai tabloid in the 1930 s,and how it differs from the "Lu Xun image" we have known in the past.The focus of this thesis is the value orientation and the diverse demands of the ideology behind the speech of "Folk Lu Xun",which further presents a "marginal discourse" that is opposite to the academic and ideological central discourse.The third chapter,the excavation of "Folk Lu Xun" in the 1930 s,aims not only to present the image but also to complement and perfect the traditional Lu Xun speech.Judging from the relationship with "Left-wing Lu Xun",the emergence of "Folk Lu Xun" on the one hand broke the inherent thinking and demonstrated the multiple ways of Lu Xun's construction in the 1930 s.It reminds us to keep a calm look at dogmatic and formulaic discourse.attitude.On the other hand,it is precise because of the birth of the image of "Left-wing Lu Xun" that Lu Xun's prominent position in the history of modern Chinese literature has been established from an official standpoint,and the dissolution of Lu Xun's sublimeness has been avoided.Although "Enlightenment Lu Xun" and "Folk Lu Xun" both advocate the discovery of "people",the differences between "Enlightenment Discourse" and "Daily Life Discourse" more clearly reflect the "Intellectual Elite Group" and "Citizen Group" against "Lu Xun Resources " Different applications.It is worth noting that the confrontation between the three is not an impasse,but because of their "complementary",they are cast together into a multidimensional world of "Lu Xun's interpretation".