Research And Analysis Of Xiuyan Shadow Puppet Design Form And Pattern Elements

Shadow play is a traditional form of folk drama in China.It is a great creation of Chinese ancestors using light and shadow as the means of expression.It has a history of more than one thousand years.Xiuyan is subordinate to Anshan City of Liaoning Province and is located in the north of Liaodong Peninsula.It is a Manchu inhabited area with distinct national and regional characteristics.Shadow play often carries a lot of historical and folk cultural information,representing the inheritance and continuation of folk culture of various nationalities.It has important cultural value.On the one hand,it reflects the aesthetic value of art itself,on the other hand,it carries the value of information.From the perspective of folk culture,scenes such as tables and chairs reflect the customs of people's life at that time The clothes and headwear of the filmmaker reflect the custom of dress.In the past hundred years,under the strong impact of western culture,Chinese culture has been almost destroyed.Folk art forms such as Xiuyan shadow play have no resistance.Many predecessors,such as Gu Jiegang,sun Kaidi,Chang Renxia,Wei Liqun and Kang Baocheng,have made pioneering contributions to the research,excavation and arrangement of shadow play art.This topic will comprehensively and deeply study the design aesthetic culture of shadow play design elements in Xiuyan.On the basis of collecting a large number of text,pictures and image materials by means of field investigation,literature research,interview record,etc.,and using relevant theoretical knowledge and methods,this paper reviews the historical and cultural development of shadow play in Xiuyan area and the evolution process in different historical periods Through the horizontal comparison with Tangshan Shadow Puppet and Shaanxi shadow puppet,this paper deeply explains the artistic characteristics of Xiuyan shadow puppet pattern elements,which is the research focus of this topic,In order to save and protect the traditional folk shadow play which is on the verge of extinction and make up for the cultural gap before this,this paper presents the case study diagram in multiple ways,systematically sorts out and deeply analyzes the design transformation process and design ideas of the representative original patterns in Xiuyan shadow puppet,highlights the practicability and decoration,and develops the innovative path of combining the original pattern and thinking,so as to rescue and protect the endangered folk traditional shadow play and make up for the cultural gap before it White,then make Xiuyan shadow play this traditional folk art and culture to inherit and continue.