Pre-study On The Scenic Aesthetics Of Zhejiang Cangling Ancient Road In Poetry

In recent years,China has introduced line concepts such as "cultural routes","heritage corridors" and "linear cultural heritage",which shows that linear corridors with historical and cultural properties have become the focus of academic research.Among them,the concept of linear is different from linear and linear,not only focusing on the form itself,but also from the perspective of the region,focusing on the series of internal elements and multi-dimensional thinking.In Zhejiang,the linear cultural heritage represented by the Beijing-Hangzhou Grand Canal and the Road of Tang Poetry in Western Zhejiang has received special attention and attention,while the ancient roads are not well known by the public in comparison.As a kind of linear cultural heritage,the ancient road has significant linear characteristics in both time and space dimensions,and it plays an important role in connecting various villages in the region and the development of economy,culture and ecology.The Cangling Ancient Road,located at the junction of Lishui and Taizhou,has an important position and historical value as the main transportation route that once connected ancient Wuzhou and ancient Taizhou.However,due to many reasons such as lagging traffic and complicated terrain,few people care about it,and its development and protection are also at a standstill.In this research,the Cangling Ancient Road as a whole is regarded as a linear landscape garden,and its landscape art is explored in the context of poetry.From points and axes,the landscape features and cultural characteristics of the Cangling Ancient Road are fully explored.The specific research content includes the construction of the poetic conception,scene generation and artistic conception of Cangling Ancient Road.The essence of the research is the discussion of the occurrence of the ancient road "scene" and the relationship between "scene" and "poem".The core content of the article is mainly composed of three parts:(1)Research on the overall situation,development context and relationship with the villages along the Cangling Ancient Road.(2)Interpret the related poems and clarify the construction mechanism of the context of Cangling Ancient Taoist poetry,and how the objects and situations in the poems are reflected in the real environment of Cangling Ancient Taoist gardens.(3)Analyze the scenes of ancient roads and poems,that is,the similarity between "scenery" and "poems",and then explore the sceneries and garden artistic conception of Cangling Ancient Roads.Scene generation mainly focuses on the observation system of ancient roads and the "point-axis" landscape structure,and a detailed analysis of the connection of "scenes" and conversion methods based on the current situation.Finally,it summarizes the aesthetic value of the ancient road and the artistic conception of gardens in the form of "painting".This is the pursuit of a higher level of garden art above the habitat and painting environment,which is beneficial to the excavation of the cultural connotation of Cangling ancient roads.In summary,the research explores the possibility of the future development of my country’s "linear cultural heritage" from a broader and macro perspective.On the one hand,it has enriched the systematic research results of Cangling Ancient Road,which is conducive to the protection and development of Cangling Ancient Road;on the other hand,in the current promotion of rural revitalization,it can provide for the protection of rural heritage,rural greenways and the construction of human settlements.Certain reference.