| The ancient capital was the residence of the emperor,and the buildings in it represented the highest level of architectural art at that time.Capital architecture has different aesthetic characteristics in different historical periods and different geographical spaces.Before the Wei and Jin Dynasties,the ridge lines of the capital architecture in the Han Dynasty was mostly straight,the architectural carvings were stylized and advocating realism,and the architectural style was solemn and magnificent.The style is light and elegant.After that,the buildings in the Sui and Tang Dynasties have smooth curves and raised wing corners,which shows the spirit of flying,and the architectural style is light and elegant.On the one hand,the capital architecture of Wei and Jin Dynasties between the Han and Tang Dynasties was influenced by the traditional architectural concept,pursued the beauty of architectural order and the imperial authority,and inherited the architectural concept of the Han Dynasty;on the other hand,under the influence of the spiritual freedom and aesthetic freedom of the contemporary people,the capital architecture with the beauty of nature and the inner spirit of transcendence,it began to pursue the curve and agile beauty of architecture,which greatly influenced the development direction of architecture in the Tang Dynasty.It can be seen that the Wei and Jin Dynasties played an important role in the history of architectural development.This paper is divided into four chapters to discuss the aesthetic characteristics of capital architecture in the Wei and Jin Dynasties.The first chapter mainly sorts out the main types and general situation of the capital architecture in the Wei and Jin dynasties,so as to explore the specific distribution and development of the capital architecture at that time.The next part analyzes the aesthetic connotation of the magnificent imagery,depressed imagery and landscape image of the capital city architecture in the Wei and Jin Dynasties.The magnificent imagery and decaying imagery of the capital architecture represents the splendor and decline of architecture,and embodies the high spirits and sadness of the people of the time,and the magnificence of the building and the freshness of the mountains and rivers in it show two different aesthetic tastes.This chapter discovers the complicated aesthetic psychology of the people in the Wei and Jin Dynasties through the research of the concentrated architectural image.The third chapter discusses the transcendent character of the capital architecture in the Wei and Jin Dynasties.The capital architecture not only realized the transcendence of nature during the construction process,but the garden’s function of seeking immortality showed the transcendence of the secular.The wooden structure of Chinese architecture also makes the building have the rhythm of life,and shows the infinite transcendence of life in the dynasty change.The fourth chapter analyzes the regional aesthetic differences of the capital architecture.The capital architecture in the Wei and Jin Dynasties presented a pattern of north-south distribution.Affected by geographical factors and aesthetic concepts of the times,the northern capital architecture followed the tradition of rituals since ancient times,and had the beauty of Zhong zheng and the beauty of ritual and music;The buildings of the southern capital city were adapted to local conditions,with agile natural beauty and elegant beauty.The conclusion part summarizes the aesthetic characteristics of the Wei and Jin Dynasties. |