A Study On The Relationship Between Guangxun Yu’s Novels And Existentialism

This article takes Chinese-Korean writer Guangxun Yu as the research object,and studies the relationship between Chinese-Korean literature and existential philosophy and literature.After the end of the Second World War,existential philosophy and literature led by French Sartre.After China’ s reform and open to the outside world in 1978,a large number of Western literary theories and works immediately flowed into China.Following the establishment of diplomatic relations between China and South Korea in 1992,the translated Korean version of Western literary theory was widely introduced into China along with the trend of the times.Chinese-Korean writer Guangxun Yu read Sartre’ s literary works in large quantities,studied existential philosophy,and added new literary theories to his works.From the perspective of comparative literature,it has many positive meanings to absorb foreign literature and culture,use its literary theory,and use its own philosophical thinking to improve the literary foundation of the nation.Therefore,this article chooses Guangxun Yu’s short stories "Fate No.18","Fate No.19","Death of Marry","The Lonely Grave",the novella "Fate No.20",the novel"Trace" and The connection of existential literature.This article is composed of four chapters,mainly using comparative literature impact research methods,combined with acceptance aesthetics,interdisciplinary research,and ethnographic research methods for comparative analysis.The first chapter elaborates the research object of this article,the current status of previous research achievements,and the research methods used in this article.The second chapter studies the content of existential philosophy of Guangxun Yu’s novels.Among them,the short stories "Fate No.18","Fate No.19" and the novella "Fate No.20" combine Sartre’s existentialist object view,and the short stories "Death of Marry" and "The Lonely Grave" Sartre’ s subjective thought of existentialism,the novel "Trace"and the novella "Fate No.20" combined with Sartre’ s responsibility thought.The third chapter studies Guangxun Yu’ s existential narrative strategy.It mainly analyzes the narrative strategy of the novel based on the character portrayal strategy,social environment and living environment portrayal strategy,and plot structure strategy.The character portrayal strategy is divided into three categories:"autonomy consciousness of behavior choice","attitude to life and death","ideology of affirmation and negation,hope and despair".Among them,"autonomy of behavior choice" is combined with the characters of "Fate No.18"."Attitude to life and death" is combined with the characters of "Fate No.18" and "Fate No.20"."The thoughts of affirmation and negation,hope and despair" are combined with the characters of "Fate No.20" and "Trace".The characterization strategies of social environment and living environment are divided into two categories:"world absurdity" and"extreme environment".Among them,"the absurdity of the world" is analyzed in combination with the social environment of "Fate No.20","The Lonely Grave",and "Trace"."Extreme environment" is combined with the living environment of "Fate No.18","Fate No.19","Death of Marry","Trace".The strategy of plot composition is divided into three categories:"a plot composed of core events and satellite events","a plot composed of parallel development to cross development","a plot composed of a single clue to multiple clues".Among them,"a plot composed of core events and satellite events" is analyzed in combination with the plot composition of "Fate No.18" and "Fate No.19"."The plot composition from parallel development to cross development" is combined with the plot composition of "Fate 20","Death of Marry" and "Lonely Grave"."The plot composition developed from a single clue to multiple clues" is combined with the plot composition of the novel "Trace".The fourth chapter solves the doubt points raised in the first chapter,draws conclusions,summarizes the paper and explains its significance.