The Singing Technique Of "Crying" In The Vocal Music "Memory Of Comrades In Arms"

The vocal work "Ode to Yan’an" has been enduring for more than half a century and is a classic piece sung by tenors.This work is rich in rhythm,and the range of singing is also large span,which requires the singer to have higher requirements in music processing and singing skills.In the actual singing process,tenors inevitably encounter problems such as improper handling of singing skills,which to a certain extent hinders the expression of the mood and connotation of the work."Ode to Yan’an" is a very representative work in tenor singing.In-depth and systematic research on its singing skills will play an important role in solving the tenor’s technical difficulties in singing.The use of the "face mask" singing method in "Ode to Yanan" shows the heroic,heroic and magnificent temperament of the work to the greatest extent,and plays an irreplaceable role in shaping the work.This article combines the theory of "mask" singing with "Yanan Song".By studying the application of "mask" singing in "Yanan Song",it attempts to provide more possibilities for combining "mask" singing theory with practice and solve the male Treble’s singing skills in the actual singing process can better convey the connotation of the work.The first chapter sorts out the "face mask" singing theory,introduces its training essentials in detail,and introduces the singing characteristics of "Ode to Anan".Combining its singing characteristics and related requirements for singing skills,it tries to establish a theory-practical Organically combined;Chapter 2 conducts an in-depth study of the use of "mask" techniques in the singing of "Ode to Anan";Chapter 3 studies the important role of the application of "mask" in"Song of Yan’an" The use of techniques can perfectly interpret the connotation of the work,help to convey the emotional connotation,and at the same time reflect the cultivation and quality of a singer and shape his personal style.