An Analysis Of The Aesthetic Transformation Of College Students’ Wood Carving Creation

Woodcarving is a traditional art form with a long history in China,but since the80 s,in art development under the background of globalization,wood carving as a sculpture of a material with a more open and pluralistic development,creative development up to now there have been great changes in college woodcarving,especially in nearly five years,college students woodcarving creative language more diverse,in addition to that has to do with the art of globalization environment,also with the cross-cultural background of the students’ aesthetic transformation,so in this paper,wood carving of the group of university students as the research object,The research focuses on the relationship between the changes of students’ woodcarving creation language and the aesthetic culture under the background of globalization.This paper takes the form of woodcarving creation of college students in recent five years as the entry point,analyzes the works of contemporary college students with examples,and makes a comparison with the students’ woodcarving works collected since the 1980 s,and sorts out the different presentation ways of the students’ works in the diversified era of aesthetics and different artistic concepts.Analyze the woodcarving work a lot of students can be seen: creation and innovation in the present student woodcarving and works behind the spirit connotation is closely related to the aesthetic trend of contemporary young people globalization,but at the same time there are blind phenomenon,so in this paper,the present students woodcarving will create the positive phenomenon,and explore the phenomenon of the positive significance of contemporary Chinese wood carving,reflect on the problems at the same time,foster strengths and circumvent weaknesses,and try to woodcarving creation "sublimation from technical knowledge to worth understanding.Finally through the combing and analysis of the college students woodcarving work language,apply the conclusion to the author’s writing practice,helps the author in his creation woodcarving woodcarving practice more in-depth mining the uniqueness of the language,the diversity and spirit connotation,thus more in-depth thinking in the context of globalization in the art of Chinese traditional culture in the development of contemporary sculpture creation and important role.