Zhuangzi’s View Of Language And The Study Of Language Art

Scholars in the past dynasties have paid more attention to phonology,textual exegesis and rhetoric in the study of zhuangzi,but seldom take the literary perspective as the breakthrough point.The study on the relationship between the "tao" and "yan" views in zhuangzi and the beauty of language art is even more rare.Based on literature,this paper also investigates how the "tao" in zhuangzi influences his "speech" view from the internal law of philosophical thinking,and how the "tao" in zhuangzi presents the characteristics of beauty under the guidance of the "speech" view.The first part of the thesis discusses the way of zhuangzi.Zhuangzi’s philosophy is the philosophy of life.Zhuangzi expressed the "truth" of the world through "tao".His purpose is to make people throw off the shackles of the spirit by means of "sitting and forgetting","silence","heart fasting" and so on,and enter the realm of free and carefree.In this realm,people’s spirit is free,their thoughts are free and flexible,coupled with the motivation of "enriching yourself",language and words are from the heart,and can not be contained,resulting in a completely different view of speech from other sons.The second part of the thesis is about the view of "speech" in zhuangzi.Zhuangzi derived the "debate of speech and intention" from the debate of whether there is any,and further put forward the viewpoint of "going from speech to speech".In order to solve the problem of "paying lip service to meaning",zhuangzi put forward the correct way of speech,namely the speech of "carefree",the speech of "two lines" and the speech of "sincerity",which is fully reflected in the "three words" in zhuangzi.Section three analyzes that the relationship between tao and yan is actually the projection of the relationship between heaven and man.The separation between tao and yan actually comes from the separation between man and heaven.The third part of the thesis is about zhuangzi’s view of speech,which makes zhuangzi’s articles present the beauty of "dao yan".This is first reflected in the poetic language of zhuangzi.Zhuangzi’s view of "free and unfettered" made his speech jump and music with "meaning but not words".His view of "sincerity" gives zhuang stationery a strong emotional color.Secondly,zhuangzi’s view of "two lines" has resulted in a large number of humorous and satirical techniques in zhuangzi’s writings,which are characterized by banter.At last,zhuangwen showed the characteristics of picture-like with his meticulous description,exaggeration,metaphor and other rhetorical devices.The above characteristics make zhuangzi presents "Gui Wei Chu Gui" style.