A Study Of Nonfiction Literature Of Alai

Based on the situation of non-fiction literature creation of Alai from 1990 to 2014,this paper makes a systematic analysis of non-fiction literature write by Alai.And this paper was write mainly from three aspects: the origin and process of the creation of non-fiction literature,the connotation of the theme and the characteristics of the creation.This paper is divided into three parts:introduction,body and conclusion.In the introduction part,it mainly introduces the reason and significance of the topic,the research status of the topic,and the research ideas and research methods.In the history of minority literature,the literature of Alai plays an important role,and his non-fiction literature has a unique charm.At present,scholars have made a lot of achievements in the study of Alai’s non-fiction literature,but most of them focus on a single work,lacking systematic and comprehensive research.This paper attempts to use the method of text perusal,literature collection,subject study and narratology to comprehensively analyze and summarize the the origin and process,the connotation of the theme and the characteristics of Alai’s non-fiction literature,so as to better understand the achievements of Alai’s non-fiction literature.The text is divided into three chapters.The first chapter studies the origin and process of Alai’s non-fiction literature.As far as the origin of Alai’s non-fiction literature is concerned,there are two main backgrounds.On the one hand,the wave of non-fiction literature at home and abroad has a profound impact on Alai’s non-fiction literature;on the other hand,Alai himself has a strong interest in non-fiction literature,As far as the creative process of Alai’s non-fiction literature is concerned,it mainly experienced two periods.From the beginning of accumulating creative materials when walking on the earth in the early 1990 s to the publication of the first systematic and complete Long Documentary geographical prose "the ladder of the earth" in 2000,is its initial stage.From 2001 to 2013,the long nonfiction historical novel "zhandui: the melting iron knot--a two hundred year Kangba legend"(hereinafter referred to as "zhandui"),which won the "nonfiction Work Award" of people’s literature,is its development period.Alai pays close attention to the development and destiny of the Tibetan ethnic group in his own unique way,writes the geographical appearance,history,culture and folk customs of the Tibetan area in documentary style,and introduces thereal Tibet to people from different dimensions.The second chapter studies the theme connotation of Alai’s non-fiction literature,mainly from two aspects: Alai’s pursuit of Tibetan history and cultural interpretation,ethnic relations and the writing of national identity.In the pursuit of Tibetan history and cultural interpretation,Alai mainly pursues the origin of Tibetan chieftain history,the history of chieftain war,the history of religion,and the history of serf uprising.While pursuing Tibetan history,he also focuses on the interpretation of Tibetan unique survival culture and religious culture.In terms of the writing of ethnic relations and ethnic identity,Alai expressed his creative purpose of safeguarding the national unity of Tibet and Han and opposing the ethnic division through the expression of ethnic contradictions,the integration of ethnic culture and the writing of national identity.The third chapter studies the creative characteristics of Alai’s non-fiction literature,mainly from three aspects: Alai’s creative way,various narrative techniques and unique characters.As far as the creative way of walking is concerned,walking is not only the means of Alai’s non-fiction literature,but also an effective way for him to cut into reality.As far as many narrative techniques are concerned,Alai’s non-fiction literature use documentary writing techniques and strong subjective intervention techniques.As far as the creation of unique characters is concerned,Alai’s fictional literature has created the images of Tibetan political reformers,Tibetan rebellious chieftains and unique monks.The conclusion part puts Alai’s non-fiction literature in the background of the contemporary literature history and the minority literature history,and analyzes the non-fiction style innovation,the style construction and the significance of literature history.It is believed that Alai’s non-fiction not only enriches the stylistic construction of minority literature,but also provides a reference sample of non-fiction literature for the study of minority literature,widing the scope of contemporary literature expression and making an important contribution to the study of contemporary nonfiction literature.