Xiao Yun Cong’s Study On The Elements Of Hui School Print In Landscape Painting

Xiao Yuncong in learning ancient paintings,imitating the nature at the same time,combining elements has been gloriously enrolled engravings opened a new style of landscape painting.Based on the hui-style engraving elements in landscape painting by xiao yuncong,this paper makes an in-depth study on the unique features of hui-style engraving elements in landscape painting by xiao yuncong,and expounds the inheritance and innovation of his landscape painting on traditional painting.Firstly,through the textual research of xiao yuncong’s existing landscape paintings,the author finds out his landscape paintings with elements of hui school prints in terms of time and style.Secondly,combined with the social and cultural environment in which xiao yuncong lived,this paper analyzes the reasons for the emergence of elements of hui-style prints in his landscape paintings.At the same time,the comparison between xiao yuncong’s landscape painting and hui-style landscape print is made,so as to draw out xiao yun’s unique characteristics of " knife taste" and " printing taste" in landscape painting,and draw out the performance of elements of hui-style print in xiao yuncong’s landscape painting.Finally,the paper summarizes the characteristics of xiao yuncong’s landscape painting under the influence of the elements of hui-style prints,and discusses xiao yuncong’s contribution and value to the development of huizhou painting from the perspective of landscape painting.Combined with the creation needs and characteristics of contemporary landscape painting,the paper summarizes the diversity of xiao yuncong’s artistic creation.