A Research On The Formation And Development Of Yangquan Pingshuo In Shanxi Province

As one of the first intangible cultural heritages in Shanxi Province,the quyi art of yangquan city,Shanxi Province,is not only a form of quyi,but also an important content of folk literature.Although it has gone through a hundred years of cultural baptism,it has rich connotations and is an artistic style integrating oral,performance and music.It not only shows the contents of the life of the bottom civilian,but also covers the rise and fall of Chinese society from ancient times to the present.Its existence is the combination of regional culture and national cultural psychology,as well as the needs of The Times and social development.It reflects the moral concept and value standard contained in the regional society,and it laughs and curses and corrects evil.Yangquan pingshuo is a unique quyi culture of yangquan city,whose generation is influenced by many cultures.Ya drum is derived from the army song and dance culture,song dynasty is divided into "Ya drum","wu Ya drum" and "ugly" Ya drum,catchwords is wen Ya drum of variant so far.Yangquan city pingding Ya drum is most widely circulated regional,stray artist Xi Fu Gen living on this land,in the byways of oral speech,formed its own unique style-"" ha ha a smile,and cultivate a large number of fans.Therefore,in the late qing dynasty,there was the embryo of yangquan criticism.In the 1950s and 1960s,due to its characteristics of keeping up with The Times,"ha-ha",as a street art,moved onto the historical stage and gradually became orthodox,and yangquan criticism ushered in the climax of self-development.The second generation inheritors represented by jia zixiang carried out a new transformation of yangquan pingshuo,showing the trend of legitimization of pingshuo,and promoting the production of makeup pingshuo and pingshuo opera.Yang quan commented that the external form of the development is reflected in the change of the way of speaking and singing,while the content is more diverse.Due to the flexibility of its speaking and singing activities,it has changed from the life content with strong street interest to the national theme with strong political awareness.The development of the society has promoted the change of yangquan pingshuo’s speech style and singing content,forming a distinctive pingshuo culture.In the context of intangible cultural heritage in the new era,yangquan’s commentary,as a provincial intangible cultural heritage,is faced with the dilemma of inheritance and development.How to maintain its essence and make innovations in the development trend of the new era has become a problem faced by the third generation inheritor zheng yake.At present,yangquan pingshuo’s dialecticalization,regionalization and rhyme chanting performance not only give it uniqueness,but also limit its inheritance and development to some extent.Therefore,protection and inheritance are of vital importance.Based on comments yangquan in Shanxi Province as the research object,connect text and entertainers,and stage performances form,explore the formation and development of the status quo,yangquan commentary art show yangquan sentiments behind hidden by the local culture and local people’s living conditions,people’s psychological and cultural roots,trying to explore from the perspective of historical development the condition of local folk culture,to deepen our understanding of quyi folk culture.